Eric Church’s Grammy-nominated song “Some of It” is a great example of the personal and universal “slice of life” that makes this type of writing tick.

Having a desire to create without the time or process to create it can feel like an enormous burden. The solution is fairly simple: Make a plan and stick to it.

‘Tis the season to spice up your catalog of originals with holiday songwriting tips courtesy of songwriter Brady Rymer, Berklee Online songwriting instructors Andrea Stolpe and Jimmy Kachulis, as well as Berklee’s Joe Bennett, who helped compose what is winkingly known as “the happiest Christmas song, according to science.”

Learn how to write a song using imagery in a series of video tutorials by Berklee Online songwriting instructor Andrea Stolpe.

Ask not what the Music Modernization Act can do for you. Ask what you can do to get ready for the Music Modernization Act.

One of the most important techniques you can learn as a songwriter is how to listen critically. We start by breaking the different components of a song into four large moving parts: Melody, Chords, Lyric, and Groove.

Bonnie Hayes talks songwriting for Bonnie Raitt (and winning a Grammy for it), touring with Bob Seger, playing keys for Billy Idol, and being blown away by the Sex Pistols in 1978, and how all of that led to her coming to teach at Berklee College of Music and Berklee Online.

Chords are a driving element of many songs. When we’ve got four elements of songwriting to manipulate (melody, chords, lyrics, and groove), it’s natural to credit them or blame them for a successful song. But how do we songwriters find and use great chords?

Chip Taylor wrote “Wild Thing.” He really doesn’t need to write any more songs. But that doesn’t mean he’s showing any signs of stopping. He’s got a new album out, and is eager to discuss everything leading up to this moment on this edition of the Music Is My Life podcast.