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In this extensive music production tutorial, Berklee Online instructor Loudon Stearns demonstrates how distortion and filtering works on a new device in terms of wavelength and frequency. As you work with an oscilloscope, you have to dial the numbers in until the wavelength is stable. This works best with very simple waveforms. As you manipulate the wave shape, you change the amplitudes of the various partials that are above the fundamental frequency. You may have difficulty at first, when attempting to relate waveform to timbre, but with some careful experiments you will gain an intuitive sense for how they relate.
About Loudon Stearns:
Loudon Stearns is an associate professor at Berklee College of Music, as well as a course author and instructor at Berklee Online. The courses he has authored include Advanced Music Production with Ableton Live, Composing and Producing Electronic Music 1, and Composing and Producing Electronic Music 2. With Erin Barra, he co-authored the courses Ableton Live Fundamentals and Ableton Live Techniques: Sampling. Within the Contemporary Writing and Production department at Berklee College of Music, Loudon prepares students to work as independent composers and producers in a technology-laden music industry. He holds a Bachelor of Music in Contemporary Writing and Production and Bass Performance from Berklee College of Music, and a Master of Fine Arts in Media Art from Emerson College.
About Berklee Online:
Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee’s acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today:
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Technology of Music Production | Production | Technology | Ableton Live | Distortion | Filtering | Oscillator | Oscilloscope | Loudon Stearns | Synthesis | DAW | Pro Tools | Logic | Producing Music | Berklee Online | Berklee College of Music