If you’re looking to express your anger and frustration, especially now in solidarity with the Black Lives Matter protests, put your feelings to song.

Vanessa Carlton engages in a candid discussion about the seedy underbelly of the music industry, why followups to “A Thousand Miles” were more successful than some of the men on her team wanted her to believe, and why “Love Is An Art” marks a new beginning for her.

Ron Pope discusses his new album, as well as his smash, “A Drop in the Ocean,” and a whole lot more.

Ritzy Bryan of the Joy Formidable discusses why her Welsh heritage is so important to her music, how her time on Atlantic Records helped inform her understanding of the music business, and how her guitar acrobatics hurt her Fender as well as the forehead of Joy Formidable bassist Rhydian Dafydd. 

Bonnie Hayes talks songwriting for Bonnie Raitt (and winning a Grammy for it), touring with Bob Seger, playing keys for Billy Idol, and being blown away by the Sex Pistols in 1978, and how all of that led to her coming to teach at Berklee College of Music and Berklee Online.

Tony Trischka’s list of collaborators includes Pete Seeger, Bela Fleck, Earl Scruggs, and Steve Martin and the Steep Canyon Rangers, so it’s no surprise that he has been called “perhaps the most influential banjo player in the roots music world.” 

Whether you know Darlene Love from her smash hit, “Christmas (Baby Please Come Home)” on the Phil Spector holiday album, or from her profile in the film, “20 Feet From Stardom,” this Rock & Roll Hall of Famer is a force to be reckoned with. She just turned 80, and she can still bring it, onstage! This 2018 interview with her is one for the ages.

Ben Vaughn is best known for his work on That 70s Show, but he also has extensive experience in production and songwriting.

Although brand new gear has occasionally accelerated my work, I’m usually left realizing its addition wasn’t as magical as I had hoped.