Kira Roessler played bass in Black Flag for two years, during which time the legendary hardcore band put out seven records. Now, at the age of 60, she’s an Emmy- and Oscar-winning dialogue editor and promoting her solo debut.

The New York Times documentary “Framing Britney Spears” demonstrates how mental health, addiction, and sexuality are considered shameful for female performers and detrimental to their music careers.

Steven Wilson may be best known for his solo work and the progressive rock he made with Porcupine Tree, but he’s been a key part of over a dozen projects.

Summer’s here and the time is right for this interview with Martha Reeves, reflecting on the timeless appeal of “Dancing in the Street,” how the social movements of the 1960s compare to the Black Lives Matter movement, as well as her storied career with Motown.

Lisa Loeb discusses three decades in the music business, and how she was able to turn her initial success into a dozen different endeavors.

Matt Ward shares how a Beatles songbook and a closeted $25 guitar helped define his path as a musician, a journey which has led to create the poignant new M. Ward album, ‘Migration Stories.’

When you think of a career in music, you might start with the performers who are center stage. But when you pull back the curtain, you’ll find people with an array of music business jobs and careers that help make performances possible. And there’s money to be made here!

Producer and Berklee Online course author Sean Slade tells how a recording session he did with Lou Reed blew up, literally!

In the US, you probably know Marlon Williams for his contribution to the “Wild Wild Country” soundtrack. But in New Zealand, you know him for his consistent output of great music since his teen years.