Kira Roessler played bass in Black Flag for two years, during which time the legendary hardcore band put out seven records. Now, at the age of 60, she’s an Emmy- and Oscar-winning dialogue editor and promoting her solo debut.

Huey Lewis: Some of his lies are true, including the ones about stowing away on a plane to Europe, playing soccer with Black Sabbath and Ozzy, and being dressed by Phil Lynott of Thin Lizzy. He also touches upon his meteoric rise to fame in the 1980s and his struggles with Ménière’s disease.

Molly Tuttle’s “… but i’d rather be with you” is a collection of seemingly disparate cover songs—running the gamut from Rancid to the Grateful Dead—that got the singer through tough times in her life. She recorded it as a coronavirus lockdown project to get others through similar tough times.

Learn the history and techniques to start playing acoustic blues guitar with these four tips from Berklee Online guitar instructor Dan Bowden.

Summer’s here and the time is right for this interview with Martha Reeves, reflecting on the timeless appeal of “Dancing in the Street,” how the social movements of the 1960s compare to the Black Lives Matter movement, as well as her storied career with Motown.

If you’re looking to express your anger and frustration, especially now in solidarity with the Black Lives Matter protests, put your feelings to song.

Eddy Grant began his career in the 1960s with the Equals, and 20 years later he made some of the biggest hits of his life, like “Electric Avenue” and “I Don’t Wanna Dance,” by fusing rock, reggae, and elements of electronic music. He continues to pioneer new sounds like soca and ringbang.

Jen Cloher has been releasing music to critical acclaim in Australia for more than a decade, but is only now receiving the international attention she deserves.

The music industry is in such rough shape that some of your favorite bands have resorted to selling automobiles.