{"id":12243,"date":"2019-03-13T13:27:33","date_gmt":"2019-03-13T18:27:33","guid":{"rendered":"https:\/\/online.berklee.edu\/takenote\/?p=12243"},"modified":"2026-01-20T17:03:16","modified_gmt":"2026-01-20T22:03:16","slug":"video-tutorial-music-business-with-john-kellogg","status":"publish","type":"post","link":"https:\/\/online.berklee.edu\/takenote\/video-tutorial-music-business-with-john-kellogg\/","title":{"rendered":"Learn Music Business with John Kellogg"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-key-music-business-strategies-and-revenue-insights-from-john-kellogg\">Key Music Business Strategies and Revenue Insights from John Kellogg<\/h2>\n\n\n\n<p><span>John P. Kellogg, Esq., is the director of Berklee Online&#8217;s <a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/online.berklee.edu\/music-degrees\/graduate\/music-business?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\">Master of Arts in Music Business<\/a> program, where he teaches <em style=\"\"><a href=\"https:\/\/online.berklee.edu\/courses\/music-business-revenue-streams?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Music Business Revenue Streams<\/a><\/em>. In this series of videos, he introduces key <\/span>contemporary concepts of the music business.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-tiered-ticketing-sponsorship-and-merchandising-at-music-festivals\">Tiered Ticketing, Sponsorship, and Merchandising at Music Festivals<\/h2>\n\n\n\n<p>In this first video, Kellogg gives an overview of the revenue streams associated with music festivals. He discusses the various categories and tiers of tickets that are commonly made available to festival attendees and demonstrates how they create quasi-individualized experiences for consumers. He also examines sponsorship, merchandising, and vendor marketplaces as music festival revenue streams, with attention to the millennial generation as a target market.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music Industry Revenue Streams: Tiered Ticketing, Sponsorship, and Merchandising at Music Festivals\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/TPK7e1Ao8E8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-spotify-and-music-streaming-services\">Spotify and Music Streaming Services<\/h2>\n\n\n\n<p>In the next video, Kellogg discusses the business model and growth of Spotify. He explains recent developments including renegotiation of Spotify\u2019s agreements with record labels regarding their share in streaming revenue. He also discusses the concept of making deals directly with independent artists. As streaming increasingly becomes the standard for music consumption and the independent route increasingly becomes viable for artists, Spotify will remain a fascinating and important subject in the music business.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music Industry Revenue Streams: The Advent of Spotify and Music Streaming Services | Berklee Online\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/VOyOGT6ICc0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-importance-of-a-personal-brand\">The Importance of a Personal Brand<\/h2>\n\n\n\n<p>In this video, Kellogg discusses Queen Latifah\u2019s career as a model for building a brand and capitalizing on revenue streams. He charts the morphing of her brand, touching on her success as a recording artist, her development of a record label and publishing company, her expansion into acting then talk shows, and her work in television and film production.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music Industry Revenue Streams: The Importance of a Personal Brand | Queen Latifah | Berklee Online\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/sAye_WCrBeY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-advent-of-discos-and-dance-clubs\">The Advent of Discos and Dance Clubs<\/h2>\n\n\n\n<p>In the video below, Kellogg talks about how the advent of disco clubs provided new opportunities for R&amp;B artists in the 1960s and \u201970s. He relates some of his experiences playing with Cameo at discos in New York, including brushing shoulders with some of the biggest stars of the era.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music Industry Revenue Streams: The Advent of Discos and Dance Clubs | Berklee Online | John Kellogg\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/_Uc5Je4gpAI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h1 class=\"wp-block-heading\" id=\"h-music-industry-revenue-streams-and-the-360-deal\">Music Industry Revenue Streams and the 360\u00b0 Deal<\/h1>\n\n\n\n<p>In this video, Kellogg discusses how Napster led to a crisis for the music industry in the 1990s and how some companies were able to eventually rebound with the advent of the 360\u00b0 deal. He details a eureka moment when his clients, members of the O\u2019Jays, were seeking credit on songs they claimed to have participated in composing, and he considered leveraging a deal with the record label by offering the label participation in the money they earned on the road. Eventually Robbie Williams brokered one of the first 360\u00b0 deals. Although it wasn\u2019t an instant win-win for the artist and the label, it opened a lot of eyes within the music industry to the possibility of a deal that encompasses all income revenue streams.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music Industry Revenue Streams and the 360\u00b0 Deal | 360-Degree Deal | Berklee Online | John Kellogg\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/oDDjilcxr6A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h1 class=\"wp-block-heading\" id=\"h-the-power-of-working-it\">The Power of Working It<\/h1>\n\n\n\n<p>In this music business session from Berklee Onsite 2017, Kellogg speaks about what it means to \u201cmake it\u201d in the music industry. He also reviews some of the issues that have impacted the evolution of music in the digital age.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Music Business in 2017: The Impenetrable Power of Working It | John Kellogg | Berklee Onsite\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hTHEW17aTLs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>About John P. Kellogg, Esq.<\/strong><br>In addition to being the director of Berklee Online&#8217;s Master of Arts in Music Business program, <a href=\"https:\/\/www.kellogglaw.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"John P. Kellogg, Esq. (opens in a new tab)\">John P. Kellogg, Esq.<\/a> is also the former Chair of the Music Business\/Management department at the Berklee College of Music in Boston, MA, and an entertainment attorney. He has represented recording artists Levert, the O&#8217;Jays, Eddie Levert, Sr., LSG, Stat Quo of Shady\/Aftermath Records, and G-Dep of Bad Boy Records. He also served as general counsel for the late R&amp;B recording star Gerald Levert and his entertainment venture, Trevel Production Co., Inc. <br><br>Kellogg is a former president of the Music and Entertainment Industry Educators Association (MEIEA), a former board member of the Black Entertainment and Sports Lawyer&#8217;s Association (BESLA) and a 2005 inductee into the BESLA Hall of Fame. <br><br>A songwriter and former vocalist with the group Cameo, he now advocates for the rights of artists through his writings, which include the Second Edition of his best-selling book, <em>Take Care of Your Music Business: Taking the Legal and Business Aspects You Need to Know<\/em>, that reached No. 1 and No. 2 on the paperback and general music business category sales chart on Amazon.com.<\/p>\n\n\n\n<p><em><a href=\"https:\/\/online.berklee.edu\/music-business?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">STUDY MUSIC BUSINESS AT BERKLEE ONLINE<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This series of videos from Berklee Online instructor John Kellogg will help introduce viewers to key contemporary concepts in the music industry.<\/p>\n","protected":false},"author":15,"featured_media":12290,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1,35,7579,9568,9560],"tags":[6007,6008,6005,5999,746,5997,6006,6001,6003,6004,6009,6002,5998],"class_list":["post-12243","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-instructor-profiles","category-lesson-content","category-music-business-articles","category-spotlight","tag-360-deals","tag-360-deal","tag-cameo","tag-eddie-levert","tag-john-kellogg","tag-levert","tag-live-nation","tag-lsg","tag-napster","tag-queen-latifah","tag-robbie-williams","tag-spotify","tag-the-ojays"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - 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