{"id":15317,"date":"2020-10-30T12:07:18","date_gmt":"2020-10-30T17:07:18","guid":{"rendered":"https:\/\/online.berklee.edu\/takenote\/?p=15317"},"modified":"2026-01-20T16:59:54","modified_gmt":"2026-01-20T21:59:54","slug":"online-music-courses-reading-writing-and-rhythm-at-berklee-online","status":"publish","type":"post","link":"https:\/\/online.berklee.edu\/takenote\/online-music-courses-reading-writing-and-rhythm-at-berklee-online\/","title":{"rendered":"Curated Courses about Reading, Writing, and Rhythm at Berklee Online"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-explore-10-berklee-online-courses-designed-to-strengthen-your-music-theory-and-composition-skills\">Explore 10 Berklee Online Courses Designed to Strengthen Your Music Theory and Composition Skills<\/h2>\n\n\n\n<p>Berklee Online wants to empower you to fill in your musical gaps when it comes to reading, writing, and rhythm. We\u2019ve curated 10 courses that will help you up your game in music theory, composition, songwriting, music production, performance, and other disciplines. Learn more about some of our most popular courses that are now enrolling for our January 11 semester start date.&nbsp; <\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-counterpoint\"><strong><strong><a href=\"https:\/\/online.berklee.edu\/courses\/counterpoint?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Counterpoint<\/a><\/strong><\/strong><\/h2>\n\n\n\n<p>From the Beatles to the Beach Boys to Pink Floyd to David Bowie, and many other contemporary artists, counterpoint has influenced some of the most popular songs and artists in the twentieth century. Whether you\u2019re a songwriter, composer, or musician who wants to strengthen your compositional skills, course author Beth Denisch will teach you this essential technique so that you can write independent melodic lines that work together to create effective music. <\/p>\n\n\n\n\n\n<p>Read: <em><a href=\"https:\/\/online.berklee.edu\/takenote\/contemporary-counterpoint-interview-beth-denisch?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Contemporary Counterpoint: An Interview with Beth Denisch<\/a><\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-funk-rock-and-r-amp-b-guitar-soloing\"><strong><a href=\"https:\/\/online.berklee.edu\/courses\/funk-rock-and-r-b-guitar-soloing?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Funk\/Rock and R&amp;B Guitar Soloing<\/a><\/strong><\/h2>\n\n\n\n<p>Eddie Hazel from Parliament-Funkadelic and Ernie Isley from the Isley Brothers were masters at the percussive riffs and solos that give funk its distinctive groove-based feel. In this course, Thaddeus Hogarth will teach you the tools and effective soloing techniques of the legendary funk guitarists: the appropriate scales, the best use of effects (we\u2019re talking about wah-wah, overdrive, distortion, and fuzz), and the rhythmic and melodic development that work together to create an authentic funk-based solo and sound.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-rich is-provider-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Guitar Lesson: The Power of Pentatonics\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/juOiwLamdFA?start=28&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><figcaption>Check out this video from when Thaddeus first introduced his Funk\/Rock and R&amp;B Soloing course.<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Read: <\/strong><em><strong><a href=\"https:\/\/online.berklee.edu\/takenote\/signature-tone-and-picking?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">How to Create Your Signature Guitar Tone and Picking Style<\/a><\/strong><\/em><strong> and guitar gear reviews by <\/strong><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/online.berklee.edu\/takenote\/author\/thaddeus?pid=8023&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-promotion\" target=\"_blank\"><strong>Thaddeus Hogarth<\/strong><\/a><strong>. <\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-writing-and-producing-advertising-music\"><strong><a href=\"https:\/\/online.berklee.edu\/courses\/writing-and-producing-advertising-music?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Writing and Producing Advertising Music<\/a><\/strong><\/h2>\n\n\n\n<p>Behind nearly every ad on TV, radio, and more commonly digital streaming platforms, there is someone who composed the accompanying music, theme, or jingle. Peter Bell\u2019s course will teach you everything from the songwriting and production aspect of writing music for brands, to the business and marketing aspects of getting your music in front of advertising agencies. Many of Bell\u2019s students have gone on to write music for brands professionally, including <a href=\"https:\/\/online.berklee.edu\/takenote\/berklee-alum-starts-music-production-house-after-taking-writing-and-producing-advertising-music-course\/?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Katie Day<\/a>, who used what she learned in class to start her own music production house, ShortCake Music. <\/p>\n\n\n\n<p><strong>Read: <\/strong><em><strong><a href=\"https:\/\/online.berklee.edu\/takenote\/top-5-tips-for-writing-music-for-advertising-from-peter-bell\/?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Top 5 Tips for Writing Music for Advertising from Peter Bell<\/a><\/strong><\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-ableton-live-techniques-non-linear-creative-strategies-and-composition\"><strong><a href=\"https:\/\/online.berklee.edu\/courses\/ableton-live-techniques-non-linear-creative-strategies-and-composition?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Ableton Live Techniques: Non-Linear Creative Strategies and Composition<\/a><\/strong><\/h2>\n\n\n\n<p>Remote music collaboration has never been more relevant, and in this course, Erin Barra and Loudon Stearns will teach you how to work remotely with another producer, interact with Ableton Live in real time, integrate improvisation into your production, and more. Over the course of 12 weeks, you\u2019ll dive deep into composing with Ableton Live, mastering a number of linear and non-linear techniques. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ableton Live Creative Strategies Overview | Music Production | Erin Barra | Loudon Stearns | Berklee\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/BCHC8YlpKBQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Read: <\/strong><em><strong><a href=\"https:\/\/online.berklee.edu\/takenote\/improvising-in-ableton-live\/?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Improvising in Ableton Live<\/a><\/strong><\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-lyric-writing-writing-from-the-title\"><strong><strong><a href=\"https:\/\/online.berklee.edu\/courses\/lyric-writing-writing-from-the-title?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Lyric Writing: Writing From the Title<\/a><\/strong><\/strong><\/h2>\n\n\n\n<p>Learn to begin with an effective idea for a title, build complete lyrics from that title, explore how to set the title to the appropriate rhythm and tempo, and to place that title in the song&#8217;s different sections to create the most powerful impact. It doesn\u2019t hurt that you\u2019ll be learning from the same person that taught John Mayer songwriting lessons when he was starting out, <a href=\"https:\/\/online.berklee.edu\/faculty\/pat-pattison\/?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Pat Pattison<\/a>. By the end of this course, you will be able to produce a polished lyric using a streamlined process.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-music-supervision-1\"><strong><a href=\"https:\/\/online.berklee.edu\/courses\/music-supervision-1?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Music Supervision 1<\/a><\/strong><\/h2>\n\n\n\n<p>Music supervision is the art of selecting and licensing preexisting songs or recordings for use in visual media like film, television, video games, and advertising. Emmy award-winning composer Brad Hatfield (<em>Borat<\/em>, <em>Iron Man 2<\/em>, <em>Friends<\/em>, <em>Saturday Night Live<\/em>, <em>The Sopranos) <\/em>begins with an overview of the many aspects of a music supervisor&#8217;s job and then delves into the history, theory, and application of combining music and media. The course offers essential information for artists who are interested in generating income from film or TV placements or students who want a career in music licensing.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Get to Know Your Instructor: Music Supervision Instructor Brad Hatfield\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Eh7z49Vm-gI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Meet Brad Hatfield, who teaches <em>Music Supervision 1 and 2<\/em>. <\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-arranging-1-rhythm-section\"><strong><strong><a href=\"https:\/\/online.berklee.edu\/courses\/arranging-1-rhythm-section?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Arranging 1: Rhythm Section<\/a><\/strong><\/strong><br><\/h2>\n\n\n\n<p>This course offers everything you need to create an effective arrangement; including rhythm section notation, adaptation of the melody and chords, intros and endings, articulations and dynamics, and how to create an emotional contour throughout the arrangement. Course author <a href=\"https:\/\/online.berklee.edu\/faculty\/suzanne-dean?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Suzanne Dean<\/a> empowers you to write killer arrangements for drums, bass, guitar, and keyboard that really groove. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-composing-and-producing-electronic-music-1\"><strong><strong><a href=\"https:\/\/online.berklee.edu\/courses\/composing-and-producing-electronic-music-1?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Composing and Producing Electronic Music 1<\/a><\/strong><\/strong><\/h2>\n\n\n\n<p>Loudon Stearns offers a current approach to teaching students the necessary tools and techniques to create contemporary electronic music in a variety of styles, including drum and bass, trance, dub, and house. You will learn the history of electronic music with listening examples that highlight the important people, technology, and techniques associated with the style.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Dubstep Synthesis\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/6nuN4147vyQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Check out this video of a younger Loudon Stearns, letting loose the wub-wub.<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Read: <\/strong><em><strong><a href=\"https:\/\/online.berklee.edu\/takenote\/how-to-make-electronic-house-music-at-home?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">How to Make Electronic House Music at Home<\/a><\/strong><\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-music-composition-for-film-and-tv-1\"><strong><strong><a href=\"https:\/\/online.berklee.edu\/courses\/music-composition-for-film-and-tv-1?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Music Composition for Film and TV 1<\/a><\/strong><\/strong><br><\/h2>\n\n\n\n<p><em>Music Composition for Film and TV 1<\/em> is an ideal place to start if you want to write music in the style of Hollywood films and TV programs. Course author <a href=\"https:\/\/online.berklee.edu\/faculty\/ben-newhouse?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Ben Newhouse<\/a>, whose commercial music has been used in more than 3,000 episodes of television, gives an overview of important considerations for composing music for visual media. The course focuses on a different genre of music for film and TV each week, and by the end of the course, you\u2019ll be able to write themes for romance, drama, action, horror, and fantasy.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-music-writing-and-production-with-the-ipad\"><strong><strong><a href=\"https:\/\/online.berklee.edu\/courses\/music-writing-and-production-with-the-ipad?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Music Writing and Production with the iPad<\/a><\/strong><\/strong><\/h2>\n\n\n\n<p>If you are a musician or songwriter on the go, or if you\u2019re looking to start recording and producing with minimal equipment, then learning production on the iPad could be a serious solution. With just your iPad, a MIDI controller, a microphone, and a small audio interface, you have the power of a full recording studio. Course author and instructor Andrea Pejrolo will teach you how to create, record, mix, and master music entirely on the iPad. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Berklee Online Course Overview: Music Writing and Production with the iPad\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/eeYDXIbdHW0?start=7&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Check out this video from when Music Writing and Production with the iPad was first introduced.<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Berklee Online wants to empower you to fill in your musical gaps when it comes to reading, writing, and rhythm with these 10 curated courses. <\/p>\n","protected":false},"author":15,"featured_media":15323,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1,25,9560],"tags":[7817,60,190,232,7142,354,506,6727,842,853,7816,996,7350,1109,7814,1419,1620],"class_list":["post-15317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-berklee-online-news","category-spotlight","tag-a-musician-writing-on-a-piece-of-sheet-music","tag-ableton-live","tag-beth-denisch","tag-brad-hatfield","tag-composing-and-producing-electronic-music","tag-counterpoint","tag-erin-barra","tag-katie-day","tag-loudon-stearns","tag-lyric-writing","tag-music-for-advertising","tag-music-supervision","tag-pat-pattison","tag-peter-bell","tag-reading","tag-thaddeus-hogarth","tag-writing"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - 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curated courses.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/online.berklee.edu\/takenote\/online-music-courses-reading-writing-and-rhythm-at-berklee-online\/\" \/>\n<meta property=\"og:site_name\" content=\"Berklee Online Take Note\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/berkleeonline\" \/>\n<meta property=\"article:published_time\" content=\"2020-10-30T17:07:18+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-20T21:59:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2020\/10\/courses_about_reading_writing_and_rhythm_article_image_2020.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Berklee Online\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta 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