{"id":16231,"date":"2023-09-22T21:28:38","date_gmt":"2023-09-23T02:28:38","guid":{"rendered":"https:\/\/online.berklee.edu\/takenote\/?p=16231"},"modified":"2025-10-16T09:17:00","modified_gmt":"2025-10-16T14:17:00","slug":"25-influential-female-rockers-through-the-decades","status":"publish","type":"post","link":"https:\/\/online.berklee.edu\/takenote\/25-influential-female-rockers-through-the-decades\/","title":{"rendered":"25 Influential Female Rockers Through the Decades"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-trailblazers-who-rewrote-rock-from-sister-rosetta-to-alanis-across-five-decades\">Trailblazers Who Rewrote Rock: From Sister Rosetta to Alanis, Across Five Decades<\/h2>\n\n\n\n<div id=\"excerpt-callout-block_ff1846289b3065cfab26556dde59db35\" class=\"excerpt-callout style-default\">\n    <div class=\"excerpt-content\">\n        <p>The following information on women playing an influential role in rock music is excerpted from the Berklee Online course <em><a href=\"https:\/\/online.berklee.edu\/courses\/rock-history?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link\" target=\"_blank\" rel=\"noopener\">Rock History<\/a><\/em>, written by <a href=\"https:\/\/online.berklee.edu\/instructors\/steve-morse?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link\" target=\"_blank\" rel=\"noopener\">Steve Morse<\/a>, and currently enrolling.<\/p>\n    <\/div>\n<\/div>\n\n\n\n<p>The sheer fact that we\u2019re able to compile a list of the most influential female rockers indicates just how underrepresented women are in the music industry. If we created a list of the most influential male rockers through the decades, it would have to be a book instead of a succinct article. There are many hurdles that women have to jump through to make it in the music business, and that was especially true in the early days of rock \u2018n\u2019 roll, and even more so for women of color. As we enter Women\u2019s History Month, let\u2019s take a look at some of the women who defied the odds, changing the landscape of rock for years to follow. <\/p>\n\n\n\n<p>Excerpted from Steve Morse\u2019s Berklee Online course <em><a href=\"https:\/\/online.berklee.edu\/courses\/rock-history?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-female-rockers\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Rock History<\/a><\/em>, this list chronicles some of the most influential females up to the turn of the century.<\/p>\n\n\n\n<p>You will find links to the music of most of these artists in the article, but we also recommend checking out <a rel=\"noreferrer noopener\" aria-label=\"our playlist (opens in a new tab)\" href=\"https:\/\/open.spotify.com\/playlist\/6MLsEv4DXOzybGRCj89wUD?si=FlM8aDUoQZmZoek35mHYrg\" target=\"_blank\">our playlist<\/a>.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/6MLsEv4DXOzybGRCj89wUD\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-early-rockers-of-the-1950s\"><strong>Early Rockers of the 1950s<\/strong><\/h2>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-1-wanda-jackson\"><strong>1. Wanda Jackson<\/strong><br><\/h2>\n\n\n\n<p>Early rocker&nbsp;Wanda Jackson<strong>&nbsp;<\/strong>had a robust career. She shared the stage with Elvis Presley in the mid-\u201950s and became known as the Queen of Rockabilly. Like many of her male counterparts, she was originally a country western artist who crossed over to rock \u2018n\u2019 roll. She continued to perform throughout her life, and at age 73 released a 2011 album with Jack White of the White Stripes. In 2012, she released yet another album, <em>Unfinished Business<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Wanda Jackson   Hot Dog That Made Him Mad\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CLPWm6fhDWU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Check out Wanda Jackson playing her rockabilly track \u201cHot Dog! That Made Him Mad<strong>\u201d<\/strong> from 1956.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-2-sister-rosetta-tharpe\"><strong>2. Sister Rosetta Tharpe<\/strong><\/h2>\n\n\n\n<p>Sometimes called \u201cthe Godmother of Rock \u2018n\u2019 Roll,\u201d Sister Rosetta Tharpe was the daughter of two cotton pickers who were also singers. She came out of a gospel background in Arkansas and began rocking early: her 1945 song, \u201cStrange Things Happening Every Day,\u201d was the first gospel record to cross over to <em>Billboard<\/em>\u2019s \u201crace chart,\u201d later renamed the R&amp;B chart. She was Little Richard\u2019s favorite singer when he was a child\u2014and she asked Richard to join her onstage in Macon, GA. It was his first public show outside of church. She even paid him for it and that helped inspire him to become a performer.<br><\/p>\n\n\n\n<p>She sang in churches and nightclubs and was the rare woman to play electric guitar onstage. She blended gospel and folk licks with a jumped-up swing rhythm that anticipated rock \u2018n\u2019 roll. She toured England with Muddy Waters as part of the Blues and Gospel Caravan in 1963, which brought her to the attention of Jeff Beck, Eric Clapton, and Keith Richards. She was inducted into the Rock and Roll Hall of Fame in 2018 as an Early Influence. <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-rich is-provider-embed-handler wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"Sister Rosetta Tharpe - Didn&#039;t it rain, children\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/3NFywQdeKSo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Check out this video of Sister Rosetta Tharpe playing \u201cDidn\u2019t It Rain\u201d in a Manchester, England train station in 1964.<br><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-3-ruth-brown\"><strong>3. Ruth Brown<\/strong><\/h2>\n\n\n\n<p>Ruth Brown was an R&amp;B singer who was born in Portsmouth, Virginia in 1928. When she was a teenager, her friends pooled their money and sent her to New York to a talent contest at the Apollo Theater where she came in first place. Before finding her own voice, she patterned her sound and stage act after jazz singer Billie Holiday. Brown easily crossed over to rock \u2018n\u2019 roll and recorded such hits as the No. 1 record \u201c5-10-15 Hours,\u201d and her early hits helped to establish Atlantic Records as a force to be reckoned with in the music business. Singer Bonnie Raitt has acknowledged Brown as a major influence.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"5-10-15 Hours\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/wTa9qaKtsYA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Ruth Brown\u2019s No. 1 record \u201c5-10-15 Hours,\u201d and her early hits helped to establish Atlantic Records as a force to be reckoned with in the music business.<\/figcaption><\/figure>\n\n\n\n<p>In the 1980s while pursuing a struggling acting career, Ruth, along with her lawyer and Reverend Jesse Jackson, petitioned Atlantic Records to forgive the $30,000 she supposedly owed the label for receiving advance money during her heyday as a singer. Together they persuaded Atlantic to forgive her debts and she ended up receiving $20,000 in back pay from the label. Most importantly, because of her actions, the royalty payments system at Atlantic and other labels was reformed and many R&amp;B artists of her generation benefited from her activism. Also, Atlantic contributed $1.5 million to start the <a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/www.rhythmandbluesfoundation.org\/\" target=\"_blank\">Rhythm &amp; Blues Foundation<\/a> to help needy entertainers.<\/p>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-4-lavern-baker\"><strong>4. LaVern Baker<\/strong><\/h2>\n\n\n\n<p>LaVern Baker (born 1929) was another R&amp;B singer signed to Atlantic who crossed over to rock \u2018n\u2019 roll. She began singing in the clubs of Chicago. Her powerful voice fueled hits such as \u201cSee See Rider,\u201d which you can hear on the embedded playlist. After her peak years, Baker took a job managing an officer\u2019s club in the Philippines for the US military from 1969 to 1991.<br><\/p>\n\n\n\n<p>In 1955, LaVern Baker had a hit with \u201cTweedle Dee,\u201d which was copied by Mercury Records (a label that was itself become a major label in the same league as the big three) and released by pop artist Georgia Gibbs. The record mimicked the arrangement of the Baker record, and they even employed some of the same musicians that played on the Atlantic side. Baker spearheaded a growing opposition movement against this copycat practice and petitioned Congress to establish a law to prevent the labels from issuing this type of record. Although the law didn\u2019t pass, LaVern Baker was one of the first of a growing list artists to apply pressure on the labels to discontinue this practice.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LaVern Baker &quot;Tweedle Dee&quot; on The Ed Sullivan Show\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/sq8vRci5Mi4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">LaVern Baker performing \u201cTweedle Dee\u201d on <em>The Ed Sullivan Show. <\/em><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-girl-groups-of-the-early-1960s\"><strong>Girl Groups of the Early 1960s<\/strong><br><\/h2>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-5-the-shirelles\"><strong>5. The Shirelles<\/strong><\/h2>\n\n\n\n<p>The Shirelles were high school friends from Passaic, New Jersey. They were unusual because they wrote a lot of their own songs, though they made history for being the first all-girl group to have a No. 1 hit in the rock era (1961), \u201cWill You Love Me Tomorrow,\u201d written by the Brill Building team of Gerry Goffin and Carole King. Among rock fans, the Shirelles are perhaps best known for singing \u201cBaby It\u2019s You\u201d (a No. 8 hit on the pop charts) and \u201cBoys,\u201d both of which were covered by the Beatles on their first UK album, <em>Please Please Me<\/em>, in 1963.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Shirelles  - Will You Love Me Tomorrow    (1960)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Y2e8B2CmicQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">The Shirelles performing their No. 1 hit, \u201cWill You Love Me Tomorrow.\u201d  <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-6-the-ronettes\"><strong>6. The Ronettes<\/strong><\/h2>\n\n\n\n<p>Listen to the Ronettes\u2019 \u201cBe My Baby\u201d (produced by Phil Spector), a mega-hit in 1963 and featuring future star Cher on backup vocals in her first studio appearance. Brian Wilson of the Beach Boys has called this a perfect record and its influence can be heard on the Beach Boys\u2019 Spector-influenced productions. The Ronettes were a family act (two sisters and a cousin) out of New York, starring Ronnie Spector, who became Phil\u2019s wife. They had an ill-fated marriage, though, and the eccentric Spector was so paranoid that he kept his young wife as a virtual prisoner and curtailed her ability to record.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-rich is-provider-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <iframe loading=\"lazy\" title=\"\ud835\udc13\ud835\udc21\ud835\udc1e \ud835\udc11\ud835\udc28\ud835\udc27\ud835\udc1e\ud835\udc2d\ud835\udc2d\ud835\udc1e\ud835\udc2c - \ud835\udc01\ud835\udc1e \ud835\udc0c\ud835\udc32 \ud835\udc01\ud835\udc1a\ud835\udc1b\ud835\udc32 - \ud835\udc25\ud835\udc22\ud835\udc2f\ud835\udc1e [\ud835\udc07\ud835\udc10]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/jrVbawRPO7I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>The Ronettes performing their mega 1963 hit, \u201cBe My Baby.\u201d<\/figcaption><\/figure>\n\n\n\n<p>In 1990, Ronnie Spector published a critically acclaimed book about her life as a Ronette and her four-year marriage with Phil Spector, titled <em>Be My Baby: How I Survived Mascara, Miniskirts, and Madness<\/em>. Ronnie Spector reflected on her time with Spector:<br><\/p>\n\n\n\n<p><em>My marriage to my ex [Phil Spector]. It was horrible. Nightmarish. Couldn<\/em>\u2019<em>t go out, I didn<\/em>\u2019<em>t have keys. If I went outside, I couldn<\/em>\u2019<em>t get back in. Barbed wire. It was like a little prison. And I was a prisoner. And I hated it because I wasn<\/em>\u2019<em>t performing. I lived to perform since I was 11 years old. So I couldn<\/em>\u2019<em>t do that. What a mistake. Because that was a person that I thought would carry me on.<\/em><br><\/p>\n\n\n\n<p>Phil Spector\u2019s musical path\u2014as well as his destructive path\u2014ended with a 2009 conviction of murder in the second degree in the shooting death of actress Lana Clarkson in his Alhambra, California home. He was serving a 19-year prison sentence when he died at the age of 81 of COVID-19 complications on January 16, 2021.<br><\/p>\n\n\n\n<p>The Ronettes opened for the Beatles in 1966 and Keith Richards inducted them into the Rock and Roll Hall of Fame in 2007. The Ronettes were the most popular girl group before Motown&#8217;s Supremes. Ronnie Spector passed away from cancer at the age of 78 in 2022.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-nbsp-1960s-soul-sisters\"><strong>&nbsp;1960s Soul Sisters<\/strong><br><\/h2>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-7-tina-turner\"><strong>7. Tina Turner<\/strong><\/h2>\n\n\n\n<p>Tina Turner is considered the gold standard for female rock singers. She met future husband Ike Turner in St. Louis. She joined him onstage as an amateur and he was smart enough to hire her. No one said Ike was musically stupid (he played on what some consider the first rock record in 1951, \u201cRocket 88\u201d), but his spousal abuse of Tina, as cited in her 1986 memoir, <em>I, Tina<\/em>, has rightfully tarnished his legacy. In the mid-\u201960s, though, the Ike &amp; Tina Revue were formidable, winning opening slots on two Rolling Stones tours of the US in 1966 and 1969, and scoring a major hit in \u201cRiver Deep, Mountain High\u201d (1966), thanks to Tina\u2019s rafter-raising pipes. The song was produced by Phil Spector, who actually paid Ike to <em>not<\/em> be on the record. Ike &amp; Tina had another big hit in 1971, with a remake of Creedence Clearwater Revival\u2019s \u201cProud Mary.\u201d&nbsp;<br><\/p>\n\n\n\n<p>Their last big hit was \u201cNutbush City Limits\u201d in 1973. It was written by Tina, and served as a portent of her coming independence. The duo ended in 1976, when a fed-up Tina ran away from Ike at a Dallas hotel with only 36 cents and a gas station credit card in her pocket. As Tina said, \u201cIke was totally dominating. Everything was done when he wanted and how he wanted. Once I got onstage that was my outlet, that was my freedom.\u201d&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tina Turner - Proud Mary\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/HOcY4nHd9gM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Watch the Ike &amp; Tina performance of \u201cProud Mary.\u201d Tina tells the crowd in her famous intro, \u201cWe never do nothin\u2019 nice and easy. We always do it nice and rough.\u201d<\/figcaption><\/figure>\n\n\n\n<p>One of the most remarkable comebacks in rock history occurred when Tina released <em>Private Dancer<\/em> in 1984. The album sold 11 million copies boosted by its hits \u201cLet\u2019s Stay Together\u201d (a cover of an Al Green song), \u201cWhat\u2019s Love Got to Do With It?,\u201d \u201cBetter Be Good to Me,&#8221; and \u201cPrivate Dancer,\u201d penned by Mark Knopfler of Dire Straits. Tina also became a hotter-than-ever live act who played arenas and amphitheaters and was carried over the crowd in a cherry-picker, much as Mick Jagger used to do with the Stones.<br><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tina Turner - What&#039;s Love Got To Do With It (Live)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/smGG7L_JjSM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Tina Turner performing her no. 1 hit, &#8220;What\u2019s Love Got to Do With It?&#8221;<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-8-aretha-franklin\"><strong>8. Aretha Franklin<\/strong><\/h2>\n\n\n\n<p>Tina Turner may have been known as the \u201cQueen of Rock n Roll,\u201d but Aretha Franklin held court as the undisputed \u201cQueen of Soul.\u201d She earned it, with an overpowering fusion of gospel, R&amp;B, jazz, and pop. She is ranked at the very top of <em>Rolling Stone\u2019<\/em>s list of \u201cThe Greatest Singers of All Time\u201d and was the first female inducted into the Rock and Roll Hall of Fame. She grew up in Detroit, where her dad was a nationally known gospel singer and also a minister at the large, 4,500-member New Bethel Baptist Church. Aretha, however, had her share of tragedies. Her mother left the family when she was six, and her father was shot by burglars in 1979, which caused him to fall into a coma and die. Still, no one could sing like Aretha. Her version of Otis Redding\u2019s \u201cRespect\u201d was a No. 1 hit in 1967, driven by an ad-libbed vocal performance and a gospel-like fervor in the call-and-response between Aretha (singing \u201cR-e-s-p-e-c-t, find out what it means to me\u201d) and her sisters Erma and Carolyn answering with \u201cSock it to me.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Aretha Franklin - Chain of Fools &amp; Respect (Live Stockholm Sweden 1968)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/DObS9jdnV2I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">This entire 55-minute performance that Aretha gave in Sweden in 1968 is a testament to how she earned the Queen of Soul title.<\/figcaption><\/figure>\n\n\n\n<p>Aretha started recording gospel for the Checker label at age 14. She later signed with Mitch Miller at Columbia (an anti-rock curmudgeon who tried unsuccessfully to turn her toward a pop-jazz path). But her career took off when she signed with Atlantic Records, where producer Jerry Wexler turned her loose on the more R&amp;B-centered \u201cRespect,\u201d \u201cNatural Woman,\u201d (penned by Carole King) and \u201cChain of Fools.\u201d<br><\/p>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-9-janis-joplin\"><strong>9. Janis Joplin<\/strong><\/h2>\n\n\n\n<p>Known as a \u201cblues mama,\u201d Joplin had almost no equal for belting the blues. She hailed from the oil refinery town of Port Arthur, Texas, the daughter of a Texaco engineer. She lived an alienated childhood. Fond of beat poets, she read \u201cJack Kerouac and all those other dope-smoking degenerates,\u201d as she put it. She thus decided to become a beatnik and move to San Francisco. She didn\u2019t fit into Texas, where at the University of Texas in Austin she was even voted \u201cUgliest Man on Campus.\u201d But she would have the last laugh.<br><\/p>\n\n\n\n<p>Janis sang in folk and blues bars on the West Coast, and later played all-night parties for the Hells Angels at Avalon Ballroom in San Francisco. She had been influenced vocally by Bessie Smith, Odetta, and Big Mama Thornton, but she brought an unchained, hard-rock energy to the scene, swigging her patented Southern Comfort whiskey onstage.&nbsp;<br><\/p>\n\n\n\n<p>She loved the stage and a peer of hers noted, \u201cThe hard drinking, the drugs\u2014those were just fill-ins to keep away the threat of boredom for the times she wasn\u2019t performing.\u201d She died alone in a LA hotel room in 1970 of a heroin overdose, after playing a final concert at Harvard Stadium, of all places. Her legacy was boosted by a hit cover of Kris Kristofferson\u2019s \u201cMe and Bobby McGee,\u201d which came out right after she died and went to No. 1.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Woodstock - 16\/08\/1969 - Janis Joplin\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Lz7x5pMdN0c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Check out 10 minutes of Janis\u2019 electric performance at Woodstock.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-1970s-songwriters\"><strong>1970s Songwriters<\/strong><br><\/h2>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-10-carole-king\"><strong>10. Carole King<\/strong><\/h2>\n\n\n\n<p>This former Brill Building tunesmith co-wrote two dozen charts hits in the \u201960s, including the aforementioned \u201cWill You Love Me Tomorrow\u201d for the Shirelles and \u201cUp on the Roof\u201d for the Drifters. But her best was yet to come. Carole King broke out as a female singer\/songwriter icon with her empowering <em>Tapestry<\/em> album in 1971, which continued to be the best-selling female record until Alanis Morissette came along in the \u201990s. <em>Tapestry<\/em> has sold 25 million copies worldwide and was the top-selling album of all genres until Michael Jackson\u2019s <em>Thriller<\/em> in the \u201980s. It featured the bittersweet, wrenchingly emotional No. 1 hit, \u201cIt\u2019s Too Late,\u201d and the dreamy piano ballad \u201cSo Far Away,\u201d another hit. But it wasn\u2019t just an adult contemporary record. It had some rock in the songs \u201cSmackwater Jack&#8217;\u201d and the funky \u201cI Feel the Earth Move.\u201d <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Carole King - I Feel the Earth Move (BBC In Concert, February 10, 1971)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/xgbvVpLBrOA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">\u201cI Feel The Earth Move\u201d by Carole King from BBC In Concert in 1971.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-11-carly-simon\"><strong>11. Carly Simon<\/strong><\/h2>\n\n\n\n<p>Carly Simon had a privileged upbringing as the daughter of Manhattan book publishing magnate Richard Simon, co-founder of Simon &amp; Schuster. After playing in New York clubs in a folk duo with her sister Lucy, she debuted with a self-titled album in 1971. She became an immediate soft-rock darling with the hit ballad \u201cThat\u2019s the Way I\u2019ve Always Heard It Should Be,\u201d which was a feminist statement that questioned traditional marriage. Simon really took off with the hit \u201cYou\u2019re So Vain\u201d in 1972, which pilloried a jet-set lifestyle of a self-indulgent lover who had a racehorse and a Lear jet. \u201cYou had me several years ago when I was quite naive,\u201d she sang, as the media went crazy speculating whether it was about Stones singer Mick Jagger or actor Warren Beatty. Simon never said who it was. This type of mystery would emerge again a couple decades later as people tried to figure out who Alanis was singing about in \u201cYou Oughta Know.\u201d <br><\/p>\n\n\n\n<p>Simon also wrote the sexually tense but melodically breezy \u201cAnticipation,\u201d which was written about waiting for a date with singer Cat Stevens, who was late to arrive. Later, Simon had a series of soundtrack hits\u2014such as \u201cNobody Does It Better&#8221; (from the James Bond movie <em>The Spy Who Loved Me<\/em>) and \u201cLet the River Run\u201d from <em>Working Girl<\/em>. She suffered from stage fright and collapsed onstage in 1980, after which she diversified her career into writing children\u2019s books and appearing on two Grammy-winning Sesame Street records. (She did tour successfully in the \u201990s.) It is also worth noting that she also became part of folk-rock royalty by marrying James Taylor in 1972 and having a son and daughter with him before they parted in the \u201980s.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Carly Simon - Anticipation - 1971\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/PDJ_Mz8ftqI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Listen to Carly Simon performing her hit song \u201cAnticipation\u201d in 1971. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-12-joni-mitchell\"><strong>12. Joni Mitchell<\/strong><\/h2>\n\n\n\n<p>Joni Mitchell will forever be enshrined in rock history for writing \u201cWoodstock,\u201d the tribute song to the festival that was covered in a hit version by Crosby, Stills &amp; Nash. It was strange because Mitchell didn&#8217;t actually attend Woodstock (she was preparing for a TV appearance), but she picked up on the event\u2019s vibe better than anyone. She dated Graham Nash (but refused to marry him), then was involved with James Taylor for a while before Carly Simon swooped in and took him off the market.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Joni Mitchell-Woodstock (1969 Live)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/26LYjMww0GY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Joni Mitchell performs her song \u201cWoodstock,\u201d recapping her experience watching the music festival from afar. <\/figcaption><\/figure>\n\n\n\n<p>Mitchell grew up in Saskatoon, Saskatchewan and had polio at age 9. Her self-titled debut album in 1968 was co-produced by David Crosby (and had \u201cBoth Sides Now\u201d). It set the tone of Joni producing or co-producing each of her albums. She also kept control of her master recordings and publishing rights. She always empowered herself and became an icon for that alone. She was a bohemian artist, but took care of business.<br><\/p>\n\n\n\n<p>Joni moved to Toronto, then Detroit, then LA by the late \u201960s. Her songs, \u201cThe Circle Game&#8221; and \u201cUrge for Going\u201d were both popularized by Tom Rush; and Judy Collins scored with a hit of her &#8220;Both Sides Now.\u201d Her big breakthrough was 1970\u2019s <em>Ladies of the Canyon<\/em> album with \u201cWoodstock\u201d and the hit \u201cBig Yellow Taxi,\u201d with the famous line, \u201cThey paved paradise and put up a parking lot,\u201d which environmentalists have quoted ever since. Serious Mitchell lovers cite her best work as the <em>Blue<\/em> album in 1971, a confessional, singer\/songwriter record that heavily influenced generations of artists. In 2022, she was awarded <a href=\"https:\/\/www.berklee.edu\/berklee-now\/news\/berklee-presents-honorary-doctorate-to-joni-mitchell\/?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"an honorary doctorate from Berklee (opens in a new tab)\">an honorary doctorate from Berklee<\/a>!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-late-1970s-mainstream-rock\"><strong>Late 1970s Mainstream Rock<\/strong><br><\/h2>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-13-heart\"><strong>13. Heart<\/strong><\/h2>\n\n\n\n<p>Sisters Ann and Nancy Wilson, who came from the Seattle\/Vancouver area and were daughters of a Marine Corps captain, bucked the male tide to break through with the songs \u201cCrazy on You\u201d and \u201cMagic Man\u201d in 1976. \u201cThe fact that our group is led by women has certainly helped us. It has opened doors for us but there are so few female rockers that we\u2019re a novelty,\u201d said Ann. There would be more female rockers during the coming punk years, but it\u2019s a sad fact that rock radio has mostly been controlled by men through the years. Women have had a much better chance on Top 40 radio stations.<br><\/p>\n\n\n\n<p>Heart was soon victimized by their macho-dominated label, Mushroom Records, which in 1977 sent a controversial ad (the Wilson sisters weren\u2019t told about it) to trade publications implying they were lesbians. It showed them huddled together looking sexy, with the caption, \u201cIt was only our first time!\u201d Ann hit the roof and went back to her hotel after a concert to write a scathing reply in the aggressive song \u201cBarracuda,\u201d which became a hit.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Heart - &quot;Barracuda&quot; (1977)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/PeMvMNpvB5M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Listen to the dynamic, Led Zeppelin-influenced \u201cBarracuda.\u201d<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-14-fleetwood-mac\"><strong>14. Fleetwood Mac <\/strong><br><\/h2>\n\n\n\n<p>Fleetwood Mac started as a hard-driving, macho blues-rock band in the \u201960s with the triple guitars of Peter Green, Danny Kirwan, and Jeremy Spencer. That said, the only UK No. 1 hit that Fleetwood Mac ever had was during this era, and it was a serene instrumental called \u201c<a rel=\"noreferrer noopener\" aria-label=\"Albatross (opens in a new tab)\" href=\"https:\/\/youtu.be\/jPW9yn8KCww\" target=\"_blank\">Albatross<\/a>.\u201d But the only remaining members by the mid-\u201970s were the rhythm section of Mick Fleetwood and John McVie. The transition was first made from blues to pop in the early \u201970s with the arrival of pianist Christine McVie (she was initially booed at concerts by the blues-rock-loving side of their fans), then went even deeper with the coming of Lindsey Buckingham and Stevie Nicks for 1975\u2019s self-titled <em>Fleetwood Mac<\/em> album. It flashed a pronounced feminine streak in its four hit singles\u2014two by Nicks (\u201cRhiannon\u201d and \u201cLandslide\u201d) and two by Christine (\u201cSay You Love Me\u201d and \u201cOver My Head.\u201d)<br><\/p>\n\n\n\n<p>But then the group became a soap opera in 1976 with the divorce of Christine and John McVie, the separation of Buckingham and Nicks (who had also been romantically involved) and the divorce of Mick from his wife, Jenny (who was the sister of Patti Boyd, the muse who married both George Harrison and Eric Clapton.) Oh, and Mick ended up sleeping briefly with Nicks, which he confessed in his later memoir, <em>Fleetwood: My Life and Adventures in Fleetwood Mac<\/em>.&nbsp;<br><\/p>\n\n\n\n<p>As you can see, the tabloids were kept busy, but the tensions were all poured into the Mac&#8217;s <em>Rumours<\/em> album of 1977. The album was one of the best-selling in history, staying at No. 1 on the charts for 31 weeks and in the Top 5 for a year\u2014the longest run of any album in the \u201970s. It was laced with hits, including Buckingham\u2019s \u201cGo Your Own Way\u201d and \u201cSecond Hand News,\u201d the bittersweet \u201cI Don\u2019t Wanna Know,\u201d and Christine\u2019s rare ray of sunshine, \u201cDon&#8217;t Stop.\u201d<br><\/p>\n\n\n\n<p>However, the Mac became too self-indulgent with the <em>Rumours<\/em> follow-up, the double-album <em>Tusk<\/em>, in 1979. It was the first album in rock history to top more than $1 million of studio time. They\u2019ve made albums off and on ever since, but never with the same intensity. Various members have also made solo albums, the most conspicuous by far being Nicks\u2019 <em>Bella Donna<\/em> in 1981, which had three major hits, including two duets\u2014\u201cStop Draggin\u2019 My Heart Around\u201d with Tom Petty and \u201cLeather and Lace\u201d with the Eagles\u2019 Don Henley. In the second decade of the 2000s, the Fleetwood Mac song, \u201cDreams\u201d became an international sensation again when a man skateboarding and drinking cranberry juice lip-synced to it on <a href=\"https:\/\/online.berklee.edu\/takenote\/tiktok-how-to-get-your-music-discovered?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-female-rockers\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">TikTok and shot the song back to No. 2 on the charts<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-late-1970s-punk\"><strong>Late 1970s Punk<\/strong><br><\/h2>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-15-patti-smith\"><strong>15. Patti Smith<\/strong><\/h2>\n\n\n\n<p>The Patti Smith Group put female punk on the map. It has been argued that her double-sided single of \u201cHey Joe\u201d and \u201cPiss Factory\u201d from 1974 was the first punk single ever. It was a caustic, spoken-word memory of her days inspecting pipes in a New Jersey factory where women got abused and were underpaid.&nbsp;<br><\/p>\n\n\n\n<p>Smith grew up in New Jersey as part of a blue-collar family, then moved to Manhattan to be a poet. She first published her poems in <em>Creem<\/em> magazine in 1971. She also lived with photographer Robert Mapplethorpe at the Chelsea Hotel, which she recalled in her best-selling memoir, <em>Just Kids<\/em>, which won the National Book Award in 2010. Mapplethorpe would later photograph her album covers. By 1974, she was reading her poems around town with backing from guitarist Lenny Kaye, who would anchor her band when it started at CBGB\u2019s in 1975.&nbsp;<br><\/p>\n\n\n\n<p>Smith had a sense of primitivism and provocation that made her extremely controversial. She recorded Van Morrison\u2019s rock classic \u201cGloria,\u201d but made it her own with the caustic line, \u201cJesus died for somebody\u2019s sins but not mine.&#8221; Her debut album, <em>Horses<\/em> (1976) was produced by John Cale of the Velvet Underground.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Patti Smith Gloria\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/j7sodwiQJ6c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Patti Smith\u2019s version of the Van Morrison\u2019s rock classic \u201cGloria.\u201d<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-16-blondie\"><strong>16. Blondie<\/strong><\/h2>\n\n\n\n<p>Blondie was fronted by singer Deborah Harry, a blond bombshell who fit right into the coming video age. They named the group after taunts she received on the street. She had been a Playboy bunny and a waitress at Max\u2019s Kansas City, another New York club that favored alternative music. She grew up in New Jersey and was in a folk group called Wind in the Willows for a while in the 1960s. She hooked up with guitarist\/boyfriend Chris Stein and they recruited drummer Clem Burke and organist Jimmy Destri (it was unusual to have an organist in a so-called punk band). They started playing at CBGB\u2019s in 1975 and by 1977 they were opening a national tour for Iggy Pop. They didn\u2019t have a great reputation as a live band, but they had adventurous, boundary-crossing tastes in music that would make them the most commercially successful group in the punk movement.<br><\/p>\n\n\n\n<p>They eventually had four No. 1 hits, starting with the disco-influenced \u201cHeart of Glass.\u201d Destri introduced a synthesizer on it. They then flicked the switch to a reggae sound for \u201cThe Tide Is High,\u201d a No. 1 hit in 1980, the same year they had another No. 1, \u201cCall Me,\u201d the theme song for the movie <em>American Gigolo<\/em>. The producer was Giorgio Moroder, who also produced hits for disco-pop diva Donna Summer. Their fourth No. 1 was \u201cRapture,\u201d a rap-style tune whose music video was the first rap video broadcast on MTV (which debuted in 1981).&nbsp;<\/p>\n\n\n\n<p>Blondie were also very good at straight ahead rock, witness another hit, \u201cOne Way or Another,\u201d a sharp-edged song in which Harry flashed a tough, dominant, punk side. And the band became even bigger in the UK than the US. Two of their albums, <em>Parallel Lines<\/em> and <em>Eat to the Beat<\/em>, went to No. 1 overseas but not in America. Blondie might have sustained their growth but they broke up partly because Chris Stein developed a rare autoimmune disease of the skin and had to be hospitalized for months. And Harry was at his side constantly. They reformed in 1999 for the <em>No Exit<\/em> album and did a well-received national tour.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-1980s-pop\"><strong>1980s Pop<\/strong><\/h2>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-17-the-b-52-s\"><strong>17. The B-52<\/strong>\u2019<strong>s<\/strong><\/h2>\n\n\n\n<p>Their music might have been called new wave, but the B-52\u2019s had a retro, early \u201960s fashion look with Kate Pierson and Cindy Wilson in miniskirts, go-go boots, and bouffant hairdos. As <em>Sounds<\/em> magazine wrote, Cindy had \u201ca pink bouffant so high you could use it to sweep the ceiling in most houses.\u201d Even their name was taken from a Southern term for a bouffant hairstyle. People laughed at them, but the B-52\u2019s became a party band that everyone wanted to see. They had started by jamming at a house party in Athens, GA and they sang to tapes because they weren\u2019t yet proficient on instruments. And when they did get it together, their first paid gig was at Max&#8217;s Kansas City, a Manhattan club where they made just $17.&nbsp;<\/p>\n\n\n\n<p><em><strong><a href=\"https:\/\/online.berklee.edu\/takenote\/podcast-episode-twelve-cindy-wilson?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-female-rockers\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Hear Cindy Wilson on Berklee Online&#8217;s Music is My Life podcast<\/a>. <\/strong><\/em><br><\/p>\n\n\n\n<p>Better times lay ahead, though, when they released the irresistible hit \u201cRock Lobster\u201d in 1979. It was an absurdist track about a supposed underwater rock lobster: \u201cSomebody went under a dock \/ And there they saw a rock \/ It wasn\u2019t a rock \/ It was a rock lobster.\u201d The silliness caught on and made the song a gigantic dance-club hit. Legend has it that hearing the song prompted John Lennon to want to make music again after a long dormant period in the 1970s. <br><\/p>\n\n\n\n<p>The group, which also featured the toy piano and manic vocals of Fred Schneider, went through some ups and downs, and had to recover from guitarist Ricky Wilson (Cindy\u2019s brother) dying of AIDS in 1985. They took a while to recuperate from that, but returned with one last hit, \u201cLove Shack,\u201d in 1989, another festive song in the B-52\u2019s tradition.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The B52\u00b4s - Rock Lobster (Official Music Video)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/aepSPpU4S2o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Watch this video of \u201cRock Lobster,\u201d which sparked a dance craze reminiscent of the dance craze era in the early 1960s.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-18-the-go-go-s\"><strong>18. The Go-Go&#8217;s<\/strong><\/h2>\n\n\n\n<p>The Go-Go\u2019s were at first viewed as a punk novelty act but surprised many by developing into a true musical force. They formed in Hollywood in 1978 and were fronted by a former cheerleader, Belinda Carlisle. They enlisted some solid players, including drummer Gina Schock, and had a versatile songwriter in Jane Wiedlin, and the band eventually became the first all-female band to top the <em>Billboard<\/em> charts (as opposed to an all-female singing group like the Supremes). Their 1981 debut disc, <em>Beauty and the Beat<\/em>, was produced by Richard Gottehrer and Rob Freeman, who had both worked on Blondie\u2019s first album. The sound was free and easy\u2014and make no mistake, this band rocked, sometimes with a surf-rock edge with driving vocal harmonies.<\/p>\n\n\n\n<p>The first album had the hits \u201cOur Lips Are Sealed\u201d and \u201cWe Got the Beat\u201d\u2014songs that are almost impossible to hear without cracking a smile. So is \u201cVacation,\u201d their hedonistic 1982 hit. Unfortunately, the Go-Go\u2019s got up and went in 1984. They reunited five years later, but never repeated their initial whirl of success. Their 2020 documentary on Showtime is a stellar watch.<br><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Go-Go&#039;s (2020) Official Trailer | SHOWTIME Documentary Film\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GsiRfL11I08?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">If you like rock docs, T<em>he Go-Go\u2019s<\/em> is a must-see.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-19-the-pretenders\">19. The Pretenders<\/h2>\n\n\n\n<p>The Pretenders were fronted by Chrissie Hynde, who moved to England from her native Akron, Ohio and became a rock critic for the magazine <em>NME<\/em> before turning performer. (Her 1974 feature on Brian Eno is one of the wildest stories in classic rock journalism! <a rel=\"noreferrer noopener\" aria-label=\"See it archived here! (opens in a new tab)\" href=\"https:\/\/thequietus.com\/articles\/04339-brian-eno-interview-chrissie-hynde-nme-here-come-the-warm-jets\" target=\"_blank\">See it archived here!<\/a>) She had also worked in Malcolm McLaren\u2019s London clothing shop, SEX, where the Sex Pistols were hatched. Hynde was from a more traditional hard-rock mold\u2014witness the galvanizing <em>Pretenders<\/em> and <em>Pretenders II<\/em> albums from the early \u201980s.&nbsp;<br><\/p>\n\n\n\n<p>Their first US hit, \u201cBrass in Pocket,\u201d was a tour de force by the sultry Hynde, who sang with chilly eroticism and whip-smart confidence: <br><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pretenders - Brass in pocket 1980\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GLQRZgfASyc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Listen to the Pretenders classic, \u201cBrass in Pocket.\u201d The influence of the guitar bands from the \u201960s, rockabilly, British Invasion, and the punk aesthetic shines through.<\/figcaption><\/figure>\n\n\n\n<p>Hynde arrived boldly and stayed that way, though the band didn\u2019t. Guitarist James Honeyman-Scott died of a heroin overdose in 1982, and bassist Pete Farndon died of a drug overdose the following year, though he had already been kicked out of the band. But Hynde always fought through it, with the help of anchoring drummer Martin Chambers, a powerful player who had his own tempestuous side, having to cancel a tour once because he broke his hand while punching out a lamp in frustration.<br><\/p>\n\n\n\n<p>Hynde had a daughter in 1983 with Ray Davies of The Kinks whose song \u201cStop Your Sobbing\u201d the Pretenders covered brilliantly on their debut.<\/p>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-20-eurythmics\"><strong>20. Eurythmics<\/strong><\/h2>\n\n\n\n<p>Eurythmics were the most fascinating of the new synth-pop breed. They consisted of singer Annie Lennox (from Aberdeen, Scotland) and instrumentalist Dave Stewart (from northern England.) They had been in a band called the Tourists, who rank with the most unappreciated rock bands of all time\u2014their 1980 album, <em>Luminous Basement<\/em>, was an absolute gem and reminiscent of the psychedelic guitar-rock of Jefferson Airplane. Lennox and Stewart were lovers at the time, but that ended with the formation of Eurythmics. As Lennox said, \u201cMost couples get famous and then break up. But we broke up and then got famous. Our first reaction was that it was impossible to break up and still make music together. But the experience made us stronger.\u201d<br><\/p>\n\n\n\n<p>Indeed it did on their 1983 album <em>Sweet Dreams (Are Made of This)<\/em>, whose title track was a global hit though it was made in Stewart\u2019s very humble, revamped warehouse attic studio. Stewart had switched from guitar to synths and drum machines for its basic dance-pop sound, while Lennox was an electrifying, gender-bending presence.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"EURYTHMICS - Sweet Dreams (Are Made of This) live 1987\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/otFsoaw4Txw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Watch Eurythmics perform \u201cSweet Dreams are Made of This.\u201d<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-21-donna-summer\"><strong>21. Donna Summer<\/strong><\/h2>\n\n\n\n<p>Donna Summer had a huge career, but was perhaps unfairly typecast. She was known as the \u201cQueen of Disco\u201d but was bursting with talent that ran the gamut from gospel to rock. Born in Boston as one of seven kids, Summer was a child prodigy who performed at the Boston rock club the Psychedelic Supermarket when she was 17, then moved to Munich, Germany where she starred in the hippie musical <em>Hair<\/em> at age 18. That\u2019s where she hooked up with electro-pop producer Giorgio Moroder, who steered her in a disco direction along with his label, Casablanca Records. Some of her late \u201970s disco hits had a rock flavor (including \u201cHot Stuff,\u201d a No. 1 hit in 1979), but that rock energy mushroomed in the \u201980s when she sought to get away from being typecast as a disco diva. The apex came on the driving \u201cShe Works Hard for the Money,\u201d a No. 3 hit in 1983. Check out some of her other diverse offerings on this article\u2019s accompanying playlist.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Donna Summer - She Works Hard For The Money (Official Music Video)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/ksuYi5_z0fQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Listen to Donna Summer\u2019s 1983 No. 3 hit, \u201cShe Works Hard for the Money.\u201d<\/figcaption><\/figure>\n\n\n\n<p>Summer has been overlooked by the Rock and Roll Hall of Fame, but after her death in 2012, the nominating committee chairman, Jon Landau, told <em>Billboard<\/em> that \u201cthe voters have failed\u201d by not getting her in and he hoped to remedy that in the future. (She made it into the Hall the next year, in 2013.) <em>Billboard<\/em> also noted that other members of the Hall of Fame have dabbled in disco during their careers, citing Rod Stewart (\u201cDo Ya Think I\u2019m Sexy\u201d), the Jacksons, and the Rolling Stones (\u201cMiss You.\u201d) Check out the interview with Donna\u2019s widower, <a href=\"https:\/\/online.berklee.edu\/takenote\/bruce-sudano-brooklyn-dreams-donna-summer?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-female-rockers\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Bruce Sudano, on the <\/a><em><a href=\"https:\/\/online.berklee.edu\/takenote\/bruce-sudano-brooklyn-dreams-donna-summer?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-female-rockers\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Music&nbsp;Is&nbsp;My&nbsp;Life<\/a><\/em><a href=\"https:\/\/online.berklee.edu\/takenote\/bruce-sudano-brooklyn-dreams-donna-summer?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-female-rockers\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\"> podcast<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-22-madonna\"><strong>22. Madonna<\/strong><\/h2>\n\n\n\n<p>What can you say about Madonna? Try this from <em>Rolling Stone<\/em>\u2019s <em>Encyclopedia of Rock &amp; Roll<\/em>:<br><\/p>\n\n\n\n<p><em>Madonna is the most media-savvy American pop star since Bob Dylan and the most consistently controversial one since Elvis Presley. Many people saw her as more dance-pop than rock, hence more controversy occurred when she was inducted into the Rock and Roll Hall of Fame in 2008. Legitimate rock bands like Deep Purple, Rush, and Yes haven<\/em>\u2019<em>t been inducted, so the purists were not happy with the Madonna choice.<\/em><\/p>\n\n\n\n<p>Madonna came from Detroit\u2014real name Madonna Louise Ciccone\u2014and she had to learn independence early because her mother died when she was six years old. She studied dance, and that has always been a large part of her concerts and videos. She used MTV to the utmost, jumping onboard in 1983, notably with the song \u201cBorderline,\u201d which had a video about interracial love. But that year she also released a video of \u201cLucky Star,\u201d where the camera got up close and personal with her navel. Using videos as a tease became her specialty. She followed those with her 1984 album <em>Like a Virgin<\/em>, whose teasing title track went to No. 1. She also hit with the more cold, aloof \u201cMaterial Girl.\u201d The hits helped the <em>Like a Virgin<\/em> album (produced by Nile Rodgers, who produced Bowie\u2019s comeback album <em>Let<\/em>\u2019<em>s Dance<\/em> the year before) to sell 10 million copies. She continues to make viable music (and <a href=\"https:\/\/www.instagram.com\/madonna\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"provocative Instagram posts (opens in a new tab)\">provocative Instagram posts<\/a>) into her fifth decade.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Madonna - Express Yourself (Live at the MTV Awards 1989)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/pehMBaHgpWE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Watch Madonna express herself at the 1989 Video Music Awards. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-1990s-rock\"><strong>1990s Rock<\/strong><\/h2>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-23-alanis-morissette\"><strong>23. Alanis Morissette<\/strong><\/h2>\n\n\n\n<p>Alanis Morissette arrived with a bang. Her <em>Jagged Little Pill<\/em> album, released in 1995, sold 28 million copies worldwide in the first few years, becoming the all-time, best-selling female rock album. She had been a teeny-bop singer in her native Canada as an early teen, but then suffered a romantic breakup and started writing very adult (and very angry) songs in the aftermath. She was still only 19 when she moved to Los Angeles and worked with famed producer Glen Ballard. They hit it off and he describes a nearly 24\/7 burst of creativity in which they \u201cchanneled\u201d Alanis\u2019 anger and together wrote and recorded an amazing 11 songs in 11 days for <em>Jagged Little Pill<\/em>. It came out on Maverick Records, which was owned by Madonna.<br><\/p>\n\n\n\n<p>The hits kept coming from the album\u2019s palette of aggressive, confessional pop-rock\u2014\u201cHand in My Pocket,\u201d \u201cIronic,\u201d \u201cAll I Really Want,\u201d and \u201cYou Learn.\u201d But the most emphatic was the snarling, ranting \u201cYou Oughta Know,\u201d which really caught a national mood of how some women felt after being rejected. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Alanis Morissette - You Oughta Know (Official 4K Music Video)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/NPcyTyilmYY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Alanis Morissette&#8217;s \u201cYou Oughta Know\u201d <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-24-melissa-etheridge\"><strong>24. Melissa Etheridge<\/strong><\/h2>\n\n\n\n<p>Say hello to a former Berklee student. The hard-belting but warm-hearted Etheridge, who was strongly influenced by Janis Joplin, grew up in Leavenworth, Kansas. She played in bands as a teen, then attended Berklee (singing cover songs in a restaurant near the campus), then moved to Los Angeles. She signed with Chris Blackwell\u2019s Island Records and issued a juggernaut of records that made her an arena headliner after 1993\u2019s <em>Yes I Am<\/em>. That disc was produced by Hugh Padgham, who had worked with the Police and Phil Collins. It contained the emotionally compelling, dramatically sung (Etheridge didn\u2019t know any other way) Top 10 hits \u201cCome to My Window\u201d and \u201cI\u2019m the Only One,\u201d plus a Top 20 hit, \u201cIf I Wanted To.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Melissa Etheridge - I&#039;m The Only One (1993) K\u00f6ln, Germany\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/gigk6c-NpvQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Hear Melissa Etheridge premiere her hit song \u201cI\u2019m the Only One\u201d in 1993. <\/figcaption><\/figure>\n\n\n\n<p>She also came out that year and declared she was a lesbian, but it didn\u2019t affect her sales and showed that rock audiences were more open than they might have been decades before. Her lover, Julie Cypher, eventually gave birth to a girl and a boy, and it was revealed the donor (through artificial insemination) was David Crosby of Crosby, Stills &amp; Nash. The tabloids had a field day with that news, but Crosby was quite proud of it. Etheridge\u2019s run on the charts continued with 1995\u2019s <em>Your Little Secret <\/em>album, which had two more heart-tugging Top 40 hits in \u201cI Want to Come Over\u201d and \u201cNowhere to Go.\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading long-title\" id=\"h-25-sinead-o-connor\"><strong>25. Sinead O<\/strong>\u2019<strong>Connor<\/strong><\/h2>\n\n\n\n<p>Dublin native Sinead O\u2019Connor crashed onto the scene with a look that was hardly conventional for chart-topping women in the late 1980s, and an exquisitely sensuous voice that made her an overnight star on her 1990 sophomore album, <em>I Do Not Want What I Haven<\/em>\u2019<em>t Got<\/em>. It had the hits \u201cNothing Compares 2 U\u201d (a ballad written by Prince that became one of the fastest-selling singles in history,) \u201cThe Emperor\u2019s New Clothes,&#8221; and \u201cI Am Stretched on Your Grave.&#8221; In addition to her unflinching music, she was also skilled at speaking truth to power: She wrote in her memoir about working on her debut album, wearing her hair short (but not shaved), and taking a meeting with a male record executive who encouraged her to grow her hair long. Instead she went to a barber the next day and had it all shaved off. But she will likely be remembered most for ripping up a picture of Pope John Paul II on<em> Saturday Night Live<\/em> in 1992. She sang an a cappella version of Bob Marley\u2019s \u201cWar,\u201d but changed the word \u201cracism\u201d to \u201cchild abuse\u201d as a protest against allegations of sexual abuse in the Roman Catholic Church. She then pulled out a picture of the Pope, said \u201cFight the real enemy\u201d and ripped it up. She was attacked in the press after that.  But really, everything Sinead O\u2019Connor did was rock \u2018n\u2019 roll, especially with the perspective that the passage of time allows. And if you need any further proof of Sinead\u2019s influence, witness Phoebe Bridgers\u2019 faithful\u2014but not disappointing\u2014cover of \u201c<a rel=\"noreferrer noopener\" aria-label=\"Black Boys on Mopeds (opens in a new tab)\" href=\"https:\/\/youtu.be\/kVwMsGhEWyM\" target=\"_blank\">Black Boys on Mopeds<\/a>,\u201d a song which is unfortunately just as poignant now as it was the day the original was written. She died in 2023 at the age of 56.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sinead O&#039;Connor - Nothing Compares 2 U (Live)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/NAOKzvL8dgk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Sinead O\u2019Connor performs \u201cNothing Compares 2 U.\u201d<\/figcaption><\/figure>\n\n\n\n<p><em><strong><a href=\"https:\/\/online.berklee.edu\/courses\/rock-history?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-female-rockers\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">TAKE THE ROCK HISTORY COURSE FROM BERKLEE ONLINE<\/a><\/strong><\/em><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>During Women&#8217;s History Month, learn about 25 of the most influential female rockers with the help of Berklee Online&#8217;s Rock History course. <\/p>\n","protected":false},"author":48,"featured_media":16261,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1,7579,9571,9578,9559,9593,9560],"tags":[8138,108,6297,275,277,318,7167,6741,6156,8134,6236,6964,8131,859,8139,8135,8130,8140,8129,8136,8141,8137,7052,8132,8133,8128],"class_list":["post-16231","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-lesson-content","category-music-history-and-liberal-arts-articles","category-music-history-and-liberal-arts-lessons","category-popular-content","category-professor-playlists-articles","category-spotlight","tag-alanis-morisette","tag-aretha-franklin","tag-blondie","tag-carly-simon","tag-carole-king","tag-cindy-wilson","tag-donna-summer","tag-eurythmics","tag-fleetwood-mac","tag-heart","tag-janis-joplin","tag-joni-mitchell","tag-lavern-baker","tag-madonna","tag-melissa-etheridge","tag-patti-smith","tag-ruth-brown","tag-sinead-oconnor","tag-sister-rosetta-tharpe","tag-the-b-52s","tag-the-dresden-dolls","tag-the-pretenders","tag-the-ronettes","tag-the-shirelles","tag-tina-turner","tag-wanda-jackson"],"acf":[],"yoast_head":"<!-- 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