{"id":19463,"date":"2023-04-21T15:52:25","date_gmt":"2023-04-21T20:52:25","guid":{"rendered":"https:\/\/online.berklee.edu\/takenote\/?p=19463"},"modified":"2025-10-10T11:49:25","modified_gmt":"2025-10-10T16:49:25","slug":"common-chord-progressions-and-how-to-make-them-your-own","status":"publish","type":"post","link":"https:\/\/online.berklee.edu\/takenote\/common-chord-progressions-and-how-to-make-them-your-own\/","title":{"rendered":"Common Chord Progressions and How to Make Them Your Own"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-explore-the-common-chord-progressions-behind-countless-hits-and-find-out-how-to-reinvent-them-in-your-songwriting\">Explore the common chord progressions behind countless hits and find out how to reinvent them in your songwriting.<\/h2>\n\n\n\n<p>Common chord progressions are common for one reason: they sounded good when songwriters used them in the past, so songwriters who have come after know that using these common chord progressions will also sound good. Songwriting is an art form that requires creativity, imagination, and an understanding of music theory, but if we\u2019re being honest, there\u2019s also a degree of \u201cfake it \u2018til you make it.\u201d And with that approach in mind, one technique you could try is to utilize similar chord progressions as existing songs to write your own. Everybody else is doing it, so why shouldn\u2019t you, right? Heck, even if you\u2019re an established songwriter, trying on somebody else\u2019s chord progression is at the very least a fun exercise, and at best it could lead to a major hit song.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-what-is-a-chord-progression\"><strong>What Is a Chord Progression?<\/strong><\/h2>\n\n\n\n<p>First things first, let\u2019s talk about what a chord progression is before we get into common chord progressions. Simply put, it\u2019s the order in which chords are played in a song. And while there are countless chord progressions out there, some are more commonly used than others. Let\u2019s take a look at some of the most common chord progressions. It\u2019s likely you\u2019ll instantly recognize them as soon as we share a couple examples.<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" aria-label=\"STUDY SONGWRITING WITH BERKLEE ONLINE (opens in a new tab)\" href=\"https:\/\/online.berklee.edu\/songwriting?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-common-chord-progressions\" target=\"_blank\"><em><strong>STUDY SONGWRITING WITH BERKLEE ONLINE<\/strong><\/em><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-i-iv-v-1-4-5-chord-progression\"><strong>The I IV V (1 4 5) Chord Progression<\/strong><\/h2>\n\n\n\n<p>One of the most common chord progressions is the I IV V (or 1 4 5) progression. You\u2019ve probably heard it before, even if you don\u2019t know it by its fancy Roman numerals. It\u2019s a heavily used progression and it has appeared in hit songs that span decades like 1958\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"La Bamba (opens in a new tab)\" href=\"https:\/\/youtu.be\/BycLmWI97Nc\" target=\"_blank\">La Bamba<\/a>\u201d by Ritchie Valens, the chorus of 1965\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"Like a Rolling Stone (opens in a new tab)\" href=\"https:\/\/youtu.be\/syNLBJ_Lq9E\" target=\"_blank\">Like a Rolling Stone<\/a>\u201d by Bob Dylan, the verse of 1976\u2019s \u201cBlitzkrieg Bop\u201d by the Ramones, 1977\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"My Best Friend\u2019s Girl (opens in a new tab)\" href=\"https:\/\/youtu.be\/RyFo6p6LGkA?t=4\" target=\"_blank\">My Best Friend\u2019s Girl<\/a>\u201d by the Cars, 1983\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"Walking on Sunshine (opens in a new tab)\" href=\"https:\/\/youtu.be\/iPUmE-tne5U\" target=\"_blank\">Walking on Sunshine<\/a>\u201d by Katrina and the Waves, and more. Once you learn the two basic types of major barre chords on guitar, you\u2019ve opened up the gate to a million songs, starting with the I IV V. It\u2019s a simple but effective progression that can be used in a variety of genres to create a catchy and memorable song. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ramones - Blitzkrieg Bop (Official Music Video)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/268C3N2dDYk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-i-v-vi-iv-1-5-6-4-chord-progression\"><strong>The I V vi IV (1 5 6 4) Chord Progression<\/strong><\/h2>\n\n\n\n<p>Then there\u2019s the I V vi IV (or 1 5 6 4) progression, also known as \u201cthe four magic chords,\u201d which is used in pop hits like Jason Mraz\u2019s \u201cI\u2019m Yours\u201d or Journey\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"Don\u2019t Stop Believin\u2019 (opens in a new tab)\" href=\"https:\/\/youtu.be\/1k8craCGpgs\" target=\"_blank\">Don\u2019t Stop Believin\u2019<\/a>.\u201d You can say it\u2019s overused\u2014The Beatles\u2019 \u201c<a rel=\"noreferrer noopener\" aria-label=\"Let It Be (opens in a new tab)\" href=\"https:\/\/youtu.be\/QDYfEBY9NM4\" target=\"_blank\">Let It Be<\/a>,\u201d Bob Marley\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"No Woman No Cry (opens in a new tab)\" href=\"https:\/\/youtu.be\/TfNymCvydHc\" target=\"_blank\">No Woman No Cry<\/a>,\u201d U2\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"With or Without You (opens in a new tab)\" href=\"https:\/\/youtu.be\/yamxg2oCfwo\" target=\"_blank\">With or Without You<\/a>,\u201d Lady Gaga\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"Poker Face (opens in a new tab)\" href=\"https:\/\/youtu.be\/s1A3X_VA-us\" target=\"_blank\">Poker Face<\/a>,\u201d to name a few\u2014but it\u2019s a versatile and popular progression that can be used in a variety of genres. If you want to hear more than 40 additional songs that use this progression you should take a look at Axis of Awesome\u2019s viral \u201cFour Chords\u201d video, which, if you haven\u2019t seen it yet, it\u2019s worth the six minutes to join the 46 million people who have. Based on the video\u2019s popularity, some people even refer to the I V vi IV progression as \u201cthe Axis Progression.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"4 Chords | Music Videos | The Axis Of Awesome\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/oOlDewpCfZQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-vi-iv-i-v-chord-progression\"><strong>The vi IV I V Chord Progression<\/strong><\/h2>\n\n\n\n<p>Another common progression is the vi IV I V progression. It uses the same chords as the one above, but instead of starting on the major tonic chord we start from its relative minor. Even though they\u2019re basically the same progression, you get a completely different sound because of where you\u2019re starting (you can call it the minor equivalent of the four magic chords). You\u2019ll hear this progression in classic songs like \u201c<a rel=\"noreferrer noopener\" aria-label=\"Africa (opens in a new tab)\" href=\"https:\/\/youtu.be\/FTQbiNvZqaY\" target=\"_blank\">Africa<\/a>\u201d by Toto and \u201cBoulevard of Broken Dreams\u201d by Green Day.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Green Day - Boulevard Of Broken Dreams [Official Music Video] [4K Upgrade]\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Soa3gO7tL-c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-ii-v-i-2-5-1-chord-progression\"><strong>The ii V I (2 5 1) Chord Progression<\/strong><\/h2>\n\n\n\n<p>If you want to borrow a less obvious progression, try the ii V I (or 2 5 1). This one is used in jazz standards like \u201cTake the A Train\u201d by Duke Ellington and \u201cSoftly, as in a Morning Sunrise\u201d written by Sigmund Romberg and performed in popular versions by <a rel=\"noreferrer noopener\" aria-label=\"John Coltrane (opens in a new tab)\" href=\"https:\/\/youtu.be\/e57F_Rm3xI4\" target=\"_blank\">John Coltrane<\/a>, <a rel=\"noreferrer noopener\" aria-label=\"Artie Shaw (opens in a new tab)\" href=\"https:\/\/youtu.be\/OAQTOJQqtAM\" target=\"_blank\">Artie Shaw<\/a>, <a rel=\"noreferrer noopener\" aria-label=\"Sonny Rollins (opens in a new tab)\" href=\"https:\/\/youtu.be\/47ah5umK0dA\" target=\"_blank\">Sonny Rollins<\/a>, and more. It\u2019s a common cadence used to take us back to the I chord. But that doesn\u2019t mean you can\u2019t write a song solely made out of this cadence, and \u201c<a href=\"https:\/\/youtu.be\/S2Cti12XBw4?t=24\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Sunday Morning (opens in a new tab)\">Sunday Morning<\/a>\u201d by Maroon 5 is an example of a song that just uses the ii V I throughout the entire song, even though the melody differs for the chorus. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Duke Ellington, &quot;Take the A Train&quot;\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/cb2w2m1JmCY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-vi-ii-v-i-6-2-5-1-chord-progression\"><strong>The vi ii V I (6 2 5 1) Chord Progression<\/strong><\/h2>\n\n\n\n<p>A more complex form of the ii V I would be the vi ii V I (or 6 2 5 1) progression, which is also known as the circle progression (based on <a href=\"https:\/\/online.berklee.edu\/takenote\/circle-of-fifths-the-key-to-unlocking-harmonic-understanding\/?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\">the circle of fifths<\/a>). It was made popular with George Gershwin\u2019s \u201cI Got Rhythm\u201d in 1931 and it worked just as well 70 years later in Weezer\u2019s 2001 hit, \u201c<a rel=\"noreferrer noopener\" aria-label=\"Island in the Sun (opens in a new tab)\" href=\"https:\/\/youtu.be\/erG5rgNYSdk\" target=\"_blank\">Island in the Sun<\/a>.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gershwin plays I Got Rhythm (1931, 3 camera views)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/oQdeTbUDCiw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-pachebel-s-progression-the-i-v-vi-iii-iv-i-iv-v-1-5-6-2-4-1-4-5-chord-progression\"><strong>Pachebel\u2019s Progression: The I V vi iii IV I IV V (1 5 6 2 4 1 4 5) Chord Progression<\/strong><\/h2>\n\n\n\n<p>And then there is Pachelbel\u2019s Progression, which is I V vi iii IV I IV V (or 1 5 6 2 4 1 4 5). While this seems like a super long and specific progression, it has been all over pop music ever since <a rel=\"noreferrer noopener\" aria-label=\"Johann Pachelbel composed \u201cCanon in D\u201d (opens in a new tab)\" href=\"https:\/\/youtu.be\/8Af372EQLck\" target=\"_blank\">Johann Pachelbel composed \u201cCanon in D\u201d<\/a> at the turn of the eighteenth century. This is one of the cases where not only the progression, but even the melody has been copied. You can hear the melody in Maroon 5\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"Memories (opens in a new tab)\" href=\"https:\/\/youtu.be\/SlPhMPnQ58k\" target=\"_blank\">Memories<\/a>\u201d and also in Blues Traveller\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"Hook (opens in a new tab)\" href=\"https:\/\/youtu.be\/pdz5kCaCRFM\" target=\"_blank\">Hook<\/a>\u201d (a song that pokes fun of over-formulaic pop songs). There are some variations though. Green Day\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"Basket Case (opens in a new tab)\" href=\"https:\/\/youtu.be\/NUTGr5t3MoY?t=15\" target=\"_blank\">Basket Case<\/a>\u201d as well as Aerosmith\u2019s \u201c<a rel=\"noreferrer noopener\" aria-label=\"Cryin\u2019 (opens in a new tab)\" href=\"https:\/\/youtu.be\/qfNmyxV2Ncw\" target=\"_blank\">Cryin\u2019<\/a>\u201d both borrow from Pachelbel\u2019s Progression, but they go directly to the V chord after getting to the I (in other words, they skip the IV chord on the way back. If you liked the geeky irreverence of the Axis of Awesome video, you\u2019ll probably also enjoy the medley that likely served as an inspiration, Rob Paravonian\u2019s \u201cPachelbel Rant\u201d from 2006. <\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" aria-label=\"STUDY MUSIC THEORY WITH BERKLEE ONLINE (opens in a new tab)\" href=\"https:\/\/online.berklee.edu\/music-theory-harmony-and-ear-training?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-common-chord-progressions\" target=\"_blank\"><em><strong>STUDY MUSIC THEORY WITH BERKLEE ONLINE<\/strong><\/em><\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pachelbel Rant\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/JdxkVQy7QLM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-doo-wop-chord-progression-a-k-a-the-50s-progression-the-i-vi-iv-v-1-6-4-5-chord-progression\"><strong>The Doo-Wop Chord Progression (a.k.a. The \u201950s Progression): The I vi IV V (1 6 4 5) Chord Progression<\/strong><\/h2>\n\n\n\n<p>The I vi IV V chord progression, commonly known as the doo-wop progression, has been widely used in various genres of music and has become iconic in several songs. It\u2019s the same chords as the aforementioned \u201cAxis Progression,\u201d but in a different order. One of the most famous examples is \u201c<a rel=\"noreferrer noopener\" aria-label=\"Earth Angel (opens in a new tab)\" href=\"https:\/\/youtu.be\/VJcGi4-n_Yw\" target=\"_blank\">Earth Angel<\/a>,\u201d made famous by the Penguins in 1954, which features the I vi IV V chords in a simple and memorable sequence that sets the foundation for the song\u2019s soulful harmonies. Another popular song that utilizes this progression is the piano duet classic \u201c<a rel=\"noreferrer noopener\" aria-label=\"Heart and Soul (opens in a new tab)\" href=\"https:\/\/youtu.be\/CF7-rz9nIn4?t=28\" target=\"_blank\">Heart and Soul<\/a>,\u201d which showcases the progression in a playful and catchy manner that\u2019s really easy to play on the white keys of the piano if you play it in the key of C. But just because the progression is easy doesn\u2019t mean some of the world\u2019s most famous pianists won\u2019t use it: Elton John\u2019s 1972 song \u201c<a rel=\"noreferrer noopener\" aria-label=\"Crocodile Rock (opens in a new tab)\" href=\"https:\/\/youtu.be\/KY_AqsdLMJc?t=11\" target=\"_blank\">Crocodile Rock<\/a>\u201d uses the progression to help conjure up a 1950s nostalgia that matches the song\u2019s lyrics. The I vi IV V progression has also found its way to indie rock, providing the foundation for Neutral Milk Hotel\u2019s indie folk anthem from 1998, \u201c<a rel=\"noreferrer noopener\" aria-label=\"In the Aeroplane Over the Sea (opens in a new tab)\" href=\"https:\/\/youtu.be\/1FeD16vu_qQ\" target=\"_blank\">In the Aeroplane Over the Sea<\/a>.\u201d Recent years have seen the progression used by Ed Sheeran in \u201c<a rel=\"noreferrer noopener\" aria-label=\"Perfect (opens in a new tab)\" href=\"https:\/\/youtu.be\/2Vv-BfVoq4g?t=15\" target=\"_blank\">Perfect<\/a>,\u201d DJ Khaled in \u201c<a rel=\"noreferrer noopener\" aria-label=\"I\u2019m the One (opens in a new tab)\" href=\"https:\/\/youtu.be\/weeI1G46q0o?t=27\" target=\"_blank\">I\u2019m the One<\/a>,\u201d Taylor Swift in \u201c<a rel=\"noreferrer noopener\" aria-label=\"Me! (opens in a new tab)\" href=\"https:\/\/youtu.be\/FuXNumBwDOM?t=44\" target=\"_blank\">Me!<\/a>\u201d and Daddy Yankee in \u201c<a rel=\"noreferrer noopener\" aria-label=\"Dura (opens in a new tab)\" href=\"https:\/\/youtu.be\/i-Q8ZuCeGis\" target=\"_blank\">Dura<\/a>.\u201d It\u2019s a wonder that nobody has put together a clever medley of all of the songs using this progression yet. However, Berklee Online\u2019s Amanda Monaco does a good job explaining the progression\u2019s variations in the video below.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"How to Play Guitar: Doo-Wop Era Chord Progressions | Intermediate | Guitar Lessons\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/gJYXoyrUpQo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-diatonic-vs-modal-interchange-chords\"><strong>Diatonic vs. Modal Interchange Chords<\/strong><\/h2>\n\n\n\n<p>The chord progressions we\u2019ve seen so far share something in common: they all feature diatonic chords. While it\u2019s important to not overload yourself with progressions to memorize, it can be helpful to recognize some of these modal interchange chords (chords that do not belong to the expected tonality of a song). These chords stand out for their unexpected tonality,&nbsp;<br>The iv is one of the most common modal interchange chords, and it\u2019s instantly recognizable due to its melancholic and sometimes melodramatic feel. You can hear it repeatedly in Radiohead\u2019s \u201cNo Surprises,\u201d (in the arpeggio played in the intro) but it also shows up in a variety of genres, and it\u2019s common to see it follow the IV major chord. The Beatles also perfected this on their <em>Rubber Soul <\/em>album, in particular on the songs \u201cIn My Life\u201d (\u201c<strong><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/youtu.be\/YBcdt6DsLQA?t=129\" target=\"_blank\">In my life,<\/a><\/strong><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/youtu.be\/YBcdt6DsLQA?t=129\" target=\"_blank\"> I loved you more<\/a>\u201d) and \u201cNowhere Man\u201d (\u201c<a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/youtu.be\/8scSwaKbE64?t=149\" target=\"_blank\">Making all his <\/a><strong><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/youtu.be\/8scSwaKbE64?t=149\" target=\"_blank\">nowhere plans for<\/a><\/strong><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/youtu.be\/8scSwaKbE64?t=149\" target=\"_blank\"> nobody<\/a>).\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-vi-vii-i-cadence\"><strong>The \u266dVI \u266dVII I Cadence<\/strong><\/h2>\n\n\n\n<p>The \u266dVI \u266dVII I cadence is commonly found at the end of a Super Mario level, or during&nbsp; a baseball game. Its sound gives us a sense of victory, the one you might feel after completing a hard level in your favorite platformer. An example of this in popular music can be found once again in the Beatles discography, in the \u201cBilly Shields\u201d opening of \u201cWith a Little Help from My Friends.\u201d&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"With A Little Help From My Friends (Remastered 2009)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/0C58ttB2-Qg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>The \u266dIImaj7 is a common chord to play before arriving at the I chord. You\u2019ll see this type of ending in a lot of improvised jazz and it\u2019s usually used as a way to delay the arrival of the I chord. But it can also be used as a part of progression, and it\u2019s used in two very famous Radiohead songs: \u201c<a rel=\"noreferrer noopener\" aria-label=\"Everything in Its Right Place (opens in a new tab)\" href=\"https:\/\/youtu.be\/onRk0sjSgFU\" target=\"_blank\">Everything in Its Right Place<\/a>\u201d and \u201c<a rel=\"noreferrer noopener\" aria-label=\"Pyramid Song (opens in a new tab)\" href=\"https:\/\/youtu.be\/3M_Gg1xAHE4\" target=\"_blank\">Pyramid Song<\/a>.\u201d <a id=\"onethreefourfourminor\">Although both songs are in a major key, the bII chord is borrowed from the Phrygian mode, which gives the songs a darker feeling although the tonality is still major.<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-careful-how-you-use-it-nbsp-i-iii-iv-iv-chord-progression\"><strong>The (Careful How You Use It)&nbsp;I III IV iv Chord Progression<\/strong><\/h2>\n\n\n\n<p>Now, just because you\u2019re using a similar chord progression as another song doesn\u2019t mean you\u2019re copying it. Unless, now that we mention it, you\u2019re Radiohead, who were sued by songwriters Albert Hammond (the father of the Strokes guitarist) and Mike Hazelwood for borrowing not only the progression, but also the rhythm and melody of their 1972 song \u201cThe Air That I Breathe\u201d for their breakthrough hit, \u201cCreep.\u201d The I III IV iv progression, which has also been used in a number of other songs (see below), even prompted Radiohead\u2019s publisher\u2014Warner Chappell\u2014to bring a lawsuit against Lana Del Rey when the singer used it in her \u201cGet Free,\u201d song in 2017.&nbsp;<br><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Songs that use the Creep chord progression\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/NyiEMdbfjG8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>The lesson here is that it\u2019s important to make sure if you\u2019re using a similar chord progression to another song, you should make other elements sound completely different, like melody, lyrics, and arrangement. So go ahead and experiment with different chord progressions to create your own unique sound. And remember, while using similar chord progressions can be a useful tool, it\u2019s important to also incorporate your own style and creativity into your music to make it truly stand out.<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" aria-label=\"STUDY MUSIC ONLINE WITH BERKLEE (opens in a new tab)\" href=\"https:\/\/online.berklee.edu\/?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link-common-chord-progressions\" target=\"_blank\"><em><strong>STUDY MUSIC ONLINE WITH BERKLEE<\/strong><\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Songwriting is an art form that requires creativity, imagination, and an understanding of music theory, but if we\u2019re being honest, there\u2019s also a degree of \u201cfake it \u2018til you make it.\u201d And with that approach in mind, one technique you could try is to utilize classic chord progressions to write your own.<\/p>\n","protected":false},"author":67,"featured_media":19488,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1,9580,7579,24,9567,9559,29,9566],"tags":[69,9141,211,9140,5990,9131,8641,493,7741,9138,742,7899,7661,8151,1184,6873,9139,8859,1403,1424,6295,9132,8780,1531],"class_list":["post-19463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-improvisation-lessons","category-lesson-content","category-music-theory-harmony-ear-training-lessons","category-music-theory-harmony-and-ear-training-articles","category-popular-content","category-songwriting-lessons","category-songwriting-articles","tag-aerosmith","tag-albert-hammond","tag-blues-traveler","tag-daddy-yankee","tag-dj-khaled","tag-earth-angel","tag-ed-sheeran","tag-elton-john","tag-green-day","tag-johann-pachelbel","tag-john-coltrane","tag-lady-gaga","tag-lana-del-rey","tag-neutral-milk-hotel","tag-radiohead","tag-ramones","tag-rob-paravonian","tag-sonny-rollins","tag-taylor-swift","tag-the-beatles","tag-the-cars","tag-the-penguins","tag-the-ramones","tag-u2"],"acf":[],"yoast_head":"<!-- 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