{"id":26645,"date":"2025-04-04T09:34:00","date_gmt":"2025-04-04T14:34:00","guid":{"rendered":"https:\/\/online.berklee.edu\/takenote\/?p=26645"},"modified":"2025-10-15T09:30:40","modified_gmt":"2025-10-15T14:30:40","slug":"gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions","status":"publish","type":"post","link":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/","title":{"rendered":"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-from-overnight-set-lists-to-miles-davis-encounters-lessons-for-winning-audiences-and-gigs\">From Overnight Set Lists to Miles Davis Encounters: Lessons for Winning Audiences and Gigs<\/h2>\n\n\n\n<p>Gabrielle Goodman landed a gig with Roberta Flack after learning an entire set overnight. She\u2019s written for (and sang with) Chaka Khan, and she had a very strange interaction with Miles Davis.<\/p>\n\n\n\n<p>The veteran vocalist and educator brings those stories\u2014and her three-and-a-half-octave range\u2014to Berklee Online, where she teaches <em><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/online.berklee.edu\/courses\/r-b-vocals?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;tum_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link\" target=\"_blank\">R&amp;B Vocals<\/a><\/em> and <em><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/online.berklee.edu\/courses\/improvisation-techniques-for-singing-pop-and-rb?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;tum_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link\" target=\"_blank\">Improvisation Techniques for Singing Pop and R&amp;B<\/a><\/em>. Here, she shares insights on karaoke go-tos, pre-show rituals, and the art of winning over an audience.<\/p>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>Who would you want to play you in a movie about your life?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> Fantasia Barrino. Because she sings so well. I would just love to hear her sing my songs. That would be just amazing. The gospel songs that have been in my life, my own compositions, all of it!<\/p>\n<\/div>\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>I know a lot of professional singers don\u2019t normally do karaoke, but if you get roped into it, what are you going to sing?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> \u201cI\u2019m Every Woman\u201d by Chaka Khan or \u201cRespect\u201d by Aretha Franklin, because they\u2019re so fun. They\u2019re such fun songs!<\/p>\n<\/div>\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>Who is your most reliable source for music?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> One of the people, and I miss him dearly, who used to tell me was <a href=\"https:\/\/online.berklee.edu\/instructors\/jeff-ramsey?campaign_id=7010Z000001ZkQgQAK&#038;pid=&#038;utm_source=takenote&#038;tum_medium=blog&#038;utm_campaign=bol-gen-takenote-article-link\" target=\"_blank\" rel=\"noopener noreferrer\">Jeff Ramsey<\/a> <em>[co-author of <a href=\"https:\/\/online.berklee.edu\/courses\/r-b-vocals?campaign_id=7010Z000001ZkQgQAK&#038;pid=&#038;utm_source=takenote&#038;tum_medium=blog&#038;utm_campaign=bol-gen-takenote-article-link\" target=\"_blank\" rel=\"noopener noreferrer\">R&amp;B Vocals<\/a>]<\/em>. He would say, \u201cWell, this is a great new singer and you should listen to her!\u201d or \u201cThis is a great new song!\u201d And I don\u2019t have that right now, so I just sort of go on YouTube.<\/p>\n<\/div>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>What kind of rituals or routines do you have when you\u2019re about to perform?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> Before or after I put my eyelashes on \u2026 [Laughs] Generally, it\u2019s after I put my eyelashes on, I like to get the band together to say a prayer over the event. I pray for perfect musicianship and that the audience will accept us because, sometimes everything can be perfect onstage, but the audience can look at you like, \u201cWhat are you doing?\u201d So I pray for all of those things. And then we just go. I always warm up before I sing, so many times in the dressing room, I\u2019ll warm up. So it\u2019s sort of make-up, warm-up, and prayer.<\/p>\n<\/div>\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>What do you do to win over an audience if they\u2019re not on your side right away?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> I have a sort of a vivacious spirit, so if someone is sitting in front of me, I\u2019ll just walk right up to them and maybe grab someone\u2019s hand. And if I\u2019m close enough to them I just start singing to them. Or if it\u2019s a large audience, I\u2019ll just say \u201cHey, come on, everybody, put your hands together!\u201d and just get them involved. I find that getting people involved, depending on what kind of crowd it is, with an uptempo song, is really important.<\/p>\n<\/div>\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>What was your first professional gig?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> I did a lot of local projects in Baltimore when I was growing up, because the very first gig that I did was with my oldest brother, and I sang in church for a long time. When I think about it, I was 14 to 16 before I started gigging. And my oldest brother would come to the church and I started gigging with his group. Then internationally, I was in school at the Peabody Conservatory and a friend of mine called from New York and asked me if I could come to New York the next day and sing background for Roberta Flack.<\/p><br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">Now, there was a conversation that we had about this, like probably six months to a year prior, where I said, \u201cWell, if you know anybody in New York who needs a background singer, please pass my name along. I would love to do this kind of work.\u201d And then I just forgot about it and I focused on my studies.<\/p><br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">Anyway, flash-forward, Howard King calls me and says, \u201cCan you be in New York tomorrow?\u201d It\u2019s the end of the spring semester and I have final exams coming up, so it was quite the decision to make! So what I decided to do is talk to my professors and say, \u201cWell, listen, I have this amazing opportunity. Do you mind if I take my exams next week? Because I\u2019d like to go to New York tomorrow to sing with Roberta Flack.\u201d And then the other part of that was that I had to learn her show overnight. [Laughs] So there were several things going on!<\/p><br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">But the great thing about college\u2014and I see it with my students here at Berklee\u2014is that it prepares you to take in a lot of information all at once. It also prepares you to multitask. And so I found that because I was working on so many things already, I said, \u201cWell, okay!\u201d I had listened to Roberta Flack\u2019s music so much when I was growing up as well, so I was really familiar with it. I was shaking in my boots because Roberta Flack is an amazing musician and so I thought, \u201cI can\u2019t sing a wrong note.\u201d<\/p>\n<\/div>\n\n\n\n<p><strong><em><a href=\"https:\/\/online.berklee.edu\/instructors\/gabrielle-goodman?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;tum_medium=blog&amp;utm_campaign=bol-gen-takenote-article-link\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"STUDY VOCALS WITH GABRIELLE GOODMAN (opens in a new tab)\">STUDY VOCALS WITH GABRIELLE GOODMAN<\/a><\/em><\/strong><\/p>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>Describe the audition process.<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> I did not audition.<\/p>\n<\/div>\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>Oh, you didn\u2019t even audition?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> I recently spoke to my friend Howard King, who recommended me for the gig. And he said they were all saying, \u201cWell, who is she? Who is she?\u201d and he said, \u201cDon\u2019t worry about it, she can sing.\u201d And so I didn\u2019t audition. They sent me a tape\u2014these were back in the days of cassette tapes\u2014and they said, \u201cyou have to learn these\u201d and it was basically a two-day process. I went to New York one day, and then the show was the next day in Amherst. So we took a bus up to Amherst.<\/p><br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">Anyway, we met at the Dakota. The whole thing was like a Cinderella story. So I\u2019m thinking, \u201cOh, my God, the Dakota,\u201d and Yoko Ono is Roberta Flack\u2019s next-door neighbor, so she has these stories about Yoko Ono and John Lennon. It was just amazing. But anyway, the first thing she said to me was \u201cit\u2019s nice to meet you,\u201d looking over her glasses, \u201cDo you know my music?\u201d Very professorial! And we had many moments like that.<\/p>\n<\/div>\n\n\n\n<blockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/DDr-WMrueXf\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/reel\/DDr-WMrueXf\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">View this post on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/reel\/DDr-WMrueXf\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Berklee Online (@berkleeonline)<\/a><\/p><\/div><\/blockquote>\n<script async=\"\" src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n<p style=\"margin-top: 0; margin-bottom: 0;\">I had learned everything, and I did a good job. But I was still, so very nervous and being the church girl that I am, I think that it was my gospel singing that took things over the top. I remember that it was a Sunday, and at the end of the performance, she said, \u201cAnd now it\u2019s Sunday; we\u2019re all going to sing \u2018Amazing Grace.\u2019\u201d She invited these other singers who had come up from New York, and she gave everybody a verse, and then she gave me a verse. And then as people tell it, they were all like, \u201cOh, you just blew everybody out of the water.\u201d I tend to over-sing when I get scared, and it works well. So I think that was one of those moments. And what she said to me after was, \u201cDo you realize you just blew out all the New York singers? Do you realize what you\u2019ve just done?!\u201d And then she said, \u201cWould you like to go on tour with me next month to Japan?\u201d And that was the tour where we opened for Miles Davis. That\u2019s a whole other story. <\/p><br \/>\n<p style=\"margin-top: 0; margin-bottom: 0;\">\nI\u2019ve had some peculiar moments with people and Miles Davis is one of them. So Roberta Flack introduces me to Miles. I was not going to speak to him because I was totally afraid of him. He was a very good friend of hers. She was sharing her dressing room with me at the time because they didn\u2019t have a dressing room for me. She would share her dressing room when they didn\u2019t have a specified dressing room for me on the tours, so that was one of those situations. I had already said to myself, \u201cI\u2019m just not going to get close to this person. I\u2019m not going to say anything,\u201d because he had already cursed somebody out. \u201cI\u2019m not going to put myself in that position.\u201d Anyway, he comes in and she says, \u201cThis is my new singer. She\u2019s a conservatory student, and she has these great high Cs and Ds,\u201d and all of this stuff, and then he takes my hand and I think that he\u2019s going to kiss it, and he licks it! [Laughs] So I was not really sure what to do. I think that I just looked at my hand and said, \u201cOkay, well.\u201d <\/p><\/div>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>You mentioned that when you are nervous, you might over-sing and out-sing somebody. When you are specifically hired as a background vocalist, are there any \u201cstay in your lane\u201d moments or do you find the main singers are usually gracious and encouraging?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> Well, you have to realize that you are in a certain position so you can\u2019t go on somebody\u2019s gig just trying to overpower everybody and out-sing everybody. That\u2019s already understood when someone hires you. But that\u2019s just a part of it. And so as someone who was a lead singer, I did struggle with that a bit, which is why I always had gigs (outside of the background gigs that I did) because I wanted to have the freedom to sing my songs and do what I wanted to do.<\/p><br \/>\n\n  <p style=\"margin-top: 0; margin-bottom: 0;\">There\u2019s an understanding when you accept a background gig that you\u2019re in a supportive position, and you know it\u2019s your job to be a supportive instrument. Now, the beauty of that is that in different situations when I have worked with other backing vocalists, sometimes with Roberta Flack, for instance, we were just creating parts on the spot, and we would have fun and she would say, \u201cOh, that\u2019s nice, okay, let\u2019s keep that.\u201d<\/p>\n<br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">The last time Chaka Khan hired me to sing: Normally I sing the high part, the soprano part, but they were missing the contralto singer, and they said, \u201cWell, on this gig, we want you to sing the low part,\u201d and we hadn\u2019t rehearsed. It\u2019s like when someone calls you to do those gigs, there is not a pianist telling you, \u201cYou sing this, this, and this.\u201d People expect you to just do your homework and just show up at the gig or show up at the rehearsal knowing your part and my quest has always been to learn all of the parts, because you just never know. And that\u2019s just what I like to do anyway.<\/p>\n<br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">So they said, \u201cWell, can you sing the low part?\u201d I said, \u201cWell, okay.\u201d And it never occurred to me that some of it might be out of my range. We were in Chicago for this gig and we were singing, and we got to this part and in the moment I thought, \u201cOh my God, this part is too low.\u201d So I inverted the harmony and took it up, above the highest part. So Chaka turned around and looked at me and she\u2019s like, \u201cThat works!\u201d So there are moments that are fun, where you can sort of be creative with backing vocal parts, and sometimes it\u2019s just a necessity in the moment and sometimes you are just having fun at the gig.<\/p>\n<\/div>\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>How many songs would you reckon you know?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> I was talking to Roberta Flack about this one time. I was telling her that I admired her for knowing so many songs. She was like, \u201cYou know a lot of songs too, and you know a lot of songs in different languages.\u201d So how many do I know? Gosh, I don\u2019t know. I mean, hundreds, probably.<\/p>\n<br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">But the real question is, \u201cWhat would I have to do to get them in shape for a performance?\u201d and that would really depend on the song and the language, because I\u2019m thinking broader now in terms of my classical repertoire too. But a lot of the R&#038;B songs, I could easily sing and the gospel and jazz songs too. So I can\u2019t say how many. [Laughs]<\/p>\n<br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">That\u2019s a very interesting question though. I always ask my students to make lists of the songs, when we\u2019re going through the lessons. I ask them to make lists of the songs that they know, and then we delineate what they sort of know, like if they just had to review the lyrics from what they absolutely know without even having to think about any lyrics or anything. And that\u2019s what I\u2019m thinking of now, and there are probably about 1,000 songs that I sort of know. And that\u2019s a really good thing. When I did my first solo symphony gig, the music didn\u2019t show up and this was a classical and gospel gig, and they said, \u201cWell, what classical pieces do you know?\u201d And I had to think, \u201cWhat do I know for sure that I can take out on the stage?\u201d And it\u2019s always a good idea to have a list of your songs and have your keys beside the songs so that you\u2019ll know what works for you.<\/p>\n<\/div>\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>When you are singing with a symphony or in any ensemble, is there any instrument that you look to for guidance more than another?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> Another funny story: I\u2019m on the stage of Symphony Hall, and it\u2019s the Christmas Pops concert. And the first song of the show starts acapella. And I have relative pitch, but it hadn\u2019t occurred to me that we hadn\u2019t worked out how I was going to get the tonality of the first song. And then all of a sudden I started shaking. But then the strings started going \u201cbloop bloop\u201d in this case, so they set up the tonality for me for that song. We hadn\u2019t had the conversation, but I was so glad that someone had that conversation. But what I look at generally on R&#038;B gigs is the piano.<\/p>\n<\/div>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\">\n    <strong>\n      You\u2019ve not only written\n      <a href=\"https:\/\/online.berklee.edu\/courses\/improvisation-techniques-for-singing-pop-and-rb?campaign_id=7010Z000001ZkQgQAK&#038;pid=&#038;utm_source=takenote&#038;tum_medium=blog&#038;utm_campaign=bol-gen-takenote-article-link\" target=\"_blank\" rel=\"noopener noreferrer\">a course on vocal improvisation<\/a>,\n      but\n      <a href=\"https:\/\/www.gabriellegoodmansingsit.com\/product-page\/vocal-improvisation-how-to-book\" target=\"_blank\" rel=\"noopener noreferrer\">a book<\/a>\n      as well. Do you ever use improvisation to write a full song?\n    <\/strong>\n  <\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> In the process of writing a song, improvisation just happens. It just happens because that\u2019s part of the songwriting process, so I always give myself permission, and I say, \u201cWell, this is the first idea that I have of this song.\u201d And then I record it and I listen to it. Three days later I may come up with a slightly different melody, which to me is improvisatory, and I\u2019ll say, \u201cOkay, well, I give myself permission to change it.\u201d<\/p>\n<br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">Changing something in that respect is improvisatory. You already have one thing and you turn it inside out, the melody goes up and then all of a sudden it descends. It started off ascending, but you say, \u201cWell, no, I think I\u2019ll make this a descending melody.\u201d<\/p>\n<br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">Even with lyrics, the gentleman that I was speaking about\u2014Howard King, who arranged the Roberta Flack gig for me\u2014he and I have been songwriting partners, and when I first started writing with him, I wrote the first verse to a song and he said, \u201cI think that the first lines that you wrote here work better in the second verse.\u201d Then as I looked at the storyline, I said, \u201cMy goodness, yes this works!\u201d So you can change things, turn them inside out, or you can take a line from the first part of the song upon the last part of the song. As long as it helps the storyline, if you\u2019re speaking lyrically or melodically, as long as it helps the melodic pattern, you can change it.<\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Improvising in R&amp;B Singing | How to Perform Vocal Slides | Voice Techniques | Berklee Online\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/DvVSK7Vfal8?list=PL1wHeEmBdcWQPUb7739iH4WTZuJz3QsRK\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\">\n    <strong>How did it come to pass that you went from performing with Chaka Khan to writing a song that she recorded?<\/strong>\n  <\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">\n    <strong>Gabrielle Goodman:<\/strong> I wrote a song for her with my partner\n    <a href=\"https:\/\/www.discogs.com\/artist\/193769-Wayne-Brathwaite?srsltid=AfmBOop8OVCeQ9pJM7_YtbX6nODxm1C6mEY9CneG1Dz9T22NhRi3eThV\" target=\"_blank\" rel=\"noopener noreferrer\">Wayne Brathwaite<\/a>. I was at a rehearsal with Roberta Flack and her percussionist,\n    <a href=\"https:\/\/www.bluenote.com\/artist\/don-alias\/\" target=\"_blank\" rel=\"noopener noreferrer\">Don Alias<\/a>, who had worked with Miles and so many other people. He was Roberta\u2019s percussionist at that time, and he said to me, \u201cYou\u2019re a songwriter?\u201d I said, \u201cYeah,\u201d and he said, \u201cI have someone I want you to meet. \u2026 Come with me to this studio in lower Manhattan after the rehearsal.\u201d So we went and we met this gentleman,\n    Wayne Brathwaite, who had written\n    <a href=\"https:\/\/en.wikipedia.org\/wiki\/Category:Songs_written_by_Wayne_Brathwaite\" target=\"_blank\" rel=\"noopener noreferrer\">all of Billy Ocean\u2019s biggest hits<\/a>, and his music was just being played everywhere at that time.\n  <\/p>\n<br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">He said, \u201cWell, I have three songs, and they don\u2019t have lyrics to them. They have partial melodies. Do you think you can do anything with them?\u201d And I said, \u201cWell, yeah, if you just give me a cassette.\u201d We were in the days of cassette tapes and he had one ready for me before I left the studio. I get on a train (I\u2019m still in school, by the way), and go back to Baltimore. I started writing one of the songs on the train on the way back. At midnight, I called him, and I sang it in his ear. I said, \u201cWell, this is the song I have.\u201d He said, \u201cWell, now you\u2019ve gotta come back to New York.\u201d<\/p>\n<br \/>\n  <p style=\"margin-top: 0; margin-bottom: 0;\">So when I went back to New York that weekend, he had \u201cYou Can Make the Story Right.\u201d He had the music to it and he had just like one or two lyrics to it. And then when I got there, I wrote the melody to the verses and the hook. And we put everything together. And he ran into Chaka at CBGB, and he played it for her and she said, \u201cI want to have this song on my recording.\u201d<\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CHAKA KHAN ~~ LIVE 1993  { HQ }\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/CzYIjRUWuOo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><br><\/p>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n<p style=\"margin-top: 0; margin-bottom: 0;\">Sadly, he passed away in the interim. She went to Warner and they agreed that they were going to put it on the recording and I just lost touch with everything that was happening at that point. And then a friend of mine called me. He said, \u201cWell, Chaka is still working on your song and she\u2019s bragging about it in New York.\u201d I\u2019m like, \u201cWhat?\u201d\n<p style=\"margin-top: 0; margin-bottom: 0;\"><\/p><br \/>\nFlash-forward, I wound up going to a rehearsal of hers and I said, \u201cOh, I wrote this song,\u201d and she says, \u201cOh, this is great. You know, it\u2019s going to be the next single.\u201d She literally took me by the shoulders and shook me and said, \u201cYou know it\u2019s going to be the next single, right?\u201d I was like, \u201cOh, okay!\u201d I was probably in shock or something. And then they started singing. She and the group started singing because they were rehearsing for something, and the soprano part was missing. So I just started singing along! And [with the next song] she was like, \u201cYou know, this?\u201d I was like, \u201cYeah,\u201d because I knew all of her songs, then they went to the next song, and she was like, \u201cDo you know this one, too?\u201d I was like, \u201cYeah!\u201d And then they went to the next song. She\u2019s like, \u201cThis one too?\u201d And then she was like, \u201cWhat are you doing tomorrow?\u201d So once again I said, \u201cI\u2019m not doing anything tomorrow. I\u2019m working with Roberta Flack the day after tomorrow, but I\u2019m free tomorrow.\u201d She said, \u201cIf you do our gig tomorrow, we\u2019ll fly you to Roberta Flack\u2019s show the next day.\u201d And then that went on for almost a year, and it was back and forth between the two singers. It was pretty amazing. <p><\/div>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>When did you realize that you had gathered enough knowledge and experience to share with the next generation as a teacher?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> People started coming to me when I was on the road, asking me for lessons. I think I started teaching lessons when I was in New York or between tours and things of that nature, and I liked it. I liked having musical conversations with people. I liked taking a voice that only had one octave and stretching it to two or three or more. I liked that process even then. So, teaching on a collegiate level just broadened everything, and I just absolutely fell in love with it.<\/p>\n<\/div>\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>Have you had any former students go on to great success?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> There are several students out there doing great things. Taylor Deneen comes to mind. She was on <em>The Voice<\/em> recently. She\u2019s a phenomenal singer. Look for her. She\u2019s going to do great things.<\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Taylor Deneen Sings Childish Gambino&#039;s &quot;Redbone&quot; and Gets the Coaches Out of Their Seats | The Voice\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/_xcBu0cUTvk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"margin-bottom: 1.5em;\">\n  <h2 class=\"long-title\" style=\"margin-bottom: 0.1em;\"><strong>Do you sing every single day?<\/strong><\/h2>\n  <p style=\"margin-top: 0; margin-bottom: 0;\"><strong>Gabrielle Goodman:<\/strong> Oh, yeah. My boyfriend\u2014one of them [laughs]\u2014told me that I sing in my sleep. I didn\u2019t know that I sang in my sleep, but that makes sense. I write songs, sometimes I dream of songs, and so I probably sing them while I\u2019m sleeping or something. So consciously, I either sing a song that I know or that I\u2019m trying to learn, that I have to work on for a gig or something, and then they\u2019re just unconscious too. I mean, there are times that I just sing where I\u2019m just not even thinking about it, and I think, \u201cOh, I am singing this song.\u201d So yeah, I sing all the time.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Gabrielle Goodman, a former backing vocalist for Chaka Khan and Roberta Flack, shares stories from the stage and studio, including the time she opened for Miles Davis, wrote a song Chaka recorded, and taught herself to harmonize on the fly. She also reflects on teaching, improvisation, and what it means to sing every single day.<\/p>\n","protected":false},"author":13,"featured_media":26646,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[35,9560],"tags":[9624,8057,8552,922,7111,9625],"class_list":["post-26645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instructor-profiles","category-spotlight","tag-billy-ocean","tag-chaka-khan","tag-gabrielle-goodman","tag-miles-davis","tag-roberta-flack","tag-wayne-brathwaite"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions - Berklee Online Take Note<\/title>\n<meta name=\"description\" content=\"In this Q&amp;A, Gabrielle Goodman shares vocal insights, songwriting stories, and touring experiences with Chaka Khan, Roberta Flack, and Miles Davis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions\" \/>\n<meta property=\"og:description\" content=\"In this Q&amp;A, Gabrielle Goodman shares vocal insights, songwriting stories, and touring experiences with Chaka Khan, Roberta Flack, and Miles Davis.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/\" \/>\n<meta property=\"og:site_name\" content=\"Berklee Online Take Note\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/berkleeonline\" \/>\n<meta property=\"article:published_time\" content=\"2025-04-04T14:34:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-15T14:30:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Pat Healy\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@berkleeonline\" \/>\n<meta name=\"twitter:site\" content=\"@berkleeonline\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Pat Healy\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"16 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/\"},\"author\":{\"name\":\"Pat Healy\",\"@id\":\"https:\/\/online.berklee.edu\/takenote\/#\/schema\/person\/2ff5be49c1e0e9c9d92848f38e40fb9d\"},\"headline\":\"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions\",\"datePublished\":\"2025-04-04T14:34:00+00:00\",\"dateModified\":\"2025-10-15T14:30:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/\"},\"wordCount\":3676,\"publisher\":{\"@id\":\"https:\/\/online.berklee.edu\/#org\"},\"image\":{\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg\",\"keywords\":[\"Billy Ocean\",\"Chaka Khan\",\"gabrielle goodman\",\"Miles Davis\",\"Roberta Flack\",\"Wayne Brathwaite\"],\"articleSection\":[\"Instructor Profiles\",\"Spotlight\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/\",\"url\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/\",\"name\":\"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions - Berklee Online Take Note\",\"isPartOf\":{\"@id\":\"https:\/\/online.berklee.edu\/takenote\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg\",\"datePublished\":\"2025-04-04T14:34:00+00:00\",\"dateModified\":\"2025-10-15T14:30:40+00:00\",\"description\":\"In this Q&A, Gabrielle Goodman shares vocal insights, songwriting stories, and touring experiences with Chaka Khan, Roberta Flack, and Miles Davis.\",\"breadcrumb\":{\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#primaryimage\",\"url\":\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg\",\"contentUrl\":\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg\",\"width\":1920,\"height\":1200,\"caption\":\"Gabrielle Goodman, Berklee Online instructor and singer, known for singing background with Chaka Khan and Roberta Flack, is pictured sitting on a maroon chair, against a gray background.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/online.berklee.edu\/takenote\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/online.berklee.edu\/takenote\/#website\",\"url\":\"https:\/\/online.berklee.edu\/takenote\/\",\"name\":\"Berklee Online Take Note\",\"description\":\"Inspiration for Music Makers\",\"publisher\":{\"@id\":\"https:\/\/online.berklee.edu\/#org\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/online.berklee.edu\/takenote\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"EducationalOrganization\",\"@id\":\"https:\/\/online.berklee.edu\/#org\",\"name\":\"Berklee Online\",\"url\":\"https:\/\/online.berklee.edu\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/online.berklee.edu\/takenote\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2016\/04\/Berklee_Logo_Square_Avatar_Linkedin.png\",\"contentUrl\":\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2016\/04\/Berklee_Logo_Square_Avatar_Linkedin.png\",\"width\":500,\"height\":500,\"caption\":\"Berklee Online\"},\"image\":{\"@id\":\"https:\/\/online.berklee.edu\/takenote\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/berkleeonline\",\"https:\/\/x.com\/berkleeonline\",\"https:\/\/www.instagram.com\/berkleeonline\/\",\"https:\/\/www.youtube.com\/@Berklee_Online\",\"https:\/\/www.tiktok.com\/@berkleeonline\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/online.berklee.edu\/takenote\/#\/schema\/person\/2ff5be49c1e0e9c9d92848f38e40fb9d\",\"name\":\"Pat Healy\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/online.berklee.edu\/takenote\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2020\/02\/patHealy-portraitsmaller-1.jpg\",\"contentUrl\":\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2020\/02\/patHealy-portraitsmaller-1.jpg\",\"caption\":\"Pat Healy\"},\"description\":\"Pat Healy is the editor-in-chief of Take Note and the associate director of content creation for Berklee Online. He hosts the Music Is My Life podcast and served as a writer and copy editor for the Disgraceland podcast during its first nine seasons. His work has appeared on Pitchfork, Spin, Paste, and numerous other music sites.\",\"url\":\"https:\/\/online.berklee.edu\/takenote\/author\/pat-healy\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions - Berklee Online Take Note","description":"In this Q&A, Gabrielle Goodman shares vocal insights, songwriting stories, and touring experiences with Chaka Khan, Roberta Flack, and Miles Davis.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/","og_locale":"en_US","og_type":"article","og_title":"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions","og_description":"In this Q&A, Gabrielle Goodman shares vocal insights, songwriting stories, and touring experiences with Chaka Khan, Roberta Flack, and Miles Davis.","og_url":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/","og_site_name":"Berklee Online Take Note","article_publisher":"https:\/\/www.facebook.com\/berkleeonline","article_published_time":"2025-04-04T14:34:00+00:00","article_modified_time":"2025-10-15T14:30:40+00:00","og_image":[{"width":1920,"height":1200,"url":"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg","type":"image\/jpeg"}],"author":"Pat Healy","twitter_card":"summary_large_image","twitter_creator":"@berkleeonline","twitter_site":"@berkleeonline","twitter_misc":{"Written by":"Pat Healy","Est. reading time":"16 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#article","isPartOf":{"@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/"},"author":{"name":"Pat Healy","@id":"https:\/\/online.berklee.edu\/takenote\/#\/schema\/person\/2ff5be49c1e0e9c9d92848f38e40fb9d"},"headline":"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions","datePublished":"2025-04-04T14:34:00+00:00","dateModified":"2025-10-15T14:30:40+00:00","mainEntityOfPage":{"@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/"},"wordCount":3676,"publisher":{"@id":"https:\/\/online.berklee.edu\/#org"},"image":{"@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#primaryimage"},"thumbnailUrl":"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg","keywords":["Billy Ocean","Chaka Khan","gabrielle goodman","Miles Davis","Roberta Flack","Wayne Brathwaite"],"articleSection":["Instructor Profiles","Spotlight"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/","url":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/","name":"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions - Berklee Online Take Note","isPartOf":{"@id":"https:\/\/online.berklee.edu\/takenote\/#website"},"primaryImageOfPage":{"@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#primaryimage"},"image":{"@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#primaryimage"},"thumbnailUrl":"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg","datePublished":"2025-04-04T14:34:00+00:00","dateModified":"2025-10-15T14:30:40+00:00","description":"In this Q&A, Gabrielle Goodman shares vocal insights, songwriting stories, and touring experiences with Chaka Khan, Roberta Flack, and Miles Davis.","breadcrumb":{"@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#primaryimage","url":"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg","contentUrl":"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2025\/04\/gabrielle_goodman_article_image_2025.jpg","width":1920,"height":1200,"caption":"Gabrielle Goodman, Berklee Online instructor and singer, known for singing background with Chaka Khan and Roberta Flack, is pictured sitting on a maroon chair, against a gray background."},{"@type":"BreadcrumbList","@id":"https:\/\/online.berklee.edu\/takenote\/gabrielle-goodman-on-chaka-khan-roberta-flack-and-nailing-singing-auditions\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/online.berklee.edu\/takenote\/"},{"@type":"ListItem","position":2,"name":"Gabrielle Goodman on Chaka Khan, Roberta Flack, and Nailing Singing Auditions"}]},{"@type":"WebSite","@id":"https:\/\/online.berklee.edu\/takenote\/#website","url":"https:\/\/online.berklee.edu\/takenote\/","name":"Berklee Online Take Note","description":"Inspiration for Music Makers","publisher":{"@id":"https:\/\/online.berklee.edu\/#org"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/online.berklee.edu\/takenote\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"EducationalOrganization","@id":"https:\/\/online.berklee.edu\/#org","name":"Berklee Online","url":"https:\/\/online.berklee.edu","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/online.berklee.edu\/takenote\/#\/schema\/logo\/image\/","url":"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2016\/04\/Berklee_Logo_Square_Avatar_Linkedin.png","contentUrl":"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2016\/04\/Berklee_Logo_Square_Avatar_Linkedin.png","width":500,"height":500,"caption":"Berklee Online"},"image":{"@id":"https:\/\/online.berklee.edu\/takenote\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/berkleeonline","https:\/\/x.com\/berkleeonline","https:\/\/www.instagram.com\/berkleeonline\/","https:\/\/www.youtube.com\/@Berklee_Online","https:\/\/www.tiktok.com\/@berkleeonline"]},{"@type":"Person","@id":"https:\/\/online.berklee.edu\/takenote\/#\/schema\/person\/2ff5be49c1e0e9c9d92848f38e40fb9d","name":"Pat Healy","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/online.berklee.edu\/takenote\/#\/schema\/person\/image\/","url":"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2020\/02\/patHealy-portraitsmaller-1.jpg","contentUrl":"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2020\/02\/patHealy-portraitsmaller-1.jpg","caption":"Pat Healy"},"description":"Pat Healy is the editor-in-chief of Take Note and the associate director of content creation for Berklee Online. He hosts the Music Is My Life podcast and served as a writer and copy editor for the Disgraceland podcast during its first nine seasons. His work has appeared on Pitchfork, Spin, Paste, and numerous other music sites.","url":"https:\/\/online.berklee.edu\/takenote\/author\/pat-healy\/"}]}},"_links":{"self":[{"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/posts\/26645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/comments?post=26645"}],"version-history":[{"count":0,"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/posts\/26645\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/media\/26646"}],"wp:attachment":[{"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/media?parent=26645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/categories?post=26645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/online.berklee.edu\/takenote\/wp-json\/wp\/v2\/tags?post=26645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}