{"id":8225,"date":"2009-01-14T16:39:29","date_gmt":"2009-01-14T20:39:29","guid":{"rendered":"http:\/\/blogs.online.berklee.edu\/erikhawkins\/?p=138"},"modified":"2026-01-19T17:05:15","modified_gmt":"2026-01-19T22:05:15","slug":"understanding-velocity-layers-in-reasons-nn-xt-sampler","status":"publish","type":"post","link":"https:\/\/online.berklee.edu\/takenote\/understanding-velocity-layers-in-reasons-nn-xt-sampler\/","title":{"rendered":"Velocity Layers in Reason\u2019s NN-XT Sampler"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-how-velocity-layers-unlock-dynamic-expressive-patches-in-reason-s-nn-xt-sampler\">How Velocity Layers Unlock Dynamic, Expressive Patches in Reason\u2019s NN-XT Sampler<\/h2>\n\n\n\n<p>By grasping the concept of velocity layers in a sampler you will be able to better use and more easily create your own dynamic and exciting sampler patches. Digital samplers, like Reason\u2019s NN-XT, are an essential tool for creating your own unique sounds and audio effects (such as stuttering) and have been a secret weapon of hit producers since the early 80s (especially in hip-hop and dance music).<\/p>\n\n\n\n<p>In my <em><a href=\"https:\/\/online.berklee.edu\/courses\/producing-music-with-reason?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Producing Music with Reason<\/a><\/em> course, I have an entire lesson dedicated to the NN-XT Sampler. It\u2019s that powerful and that deep to warrant a whole week of study. Yet, the assignment at the end of the week, to build from scratch your own NN-XT patch, is for many a serious struggle. Consequently, the way I figure it, I can\u2019t have enough material explaining the finer points of the NN-XT. That said, here\u2019s a <a rel=\"noreferrer noopener\" aria-label=\"video tutorial (opens in a new tab)\" href=\"https:\/\/youtu.be\/WK5SBXBkh0Q\" target=\"_blank\">video tutorial<\/a> I did on understanding the power of velocity layers in the NN-XT Sampler.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Understanding Velocity Layers in the NN-XT Sampler\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/WK5SBXBkh0Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><em><a href=\"https:\/\/online.berklee.edu\/music-production?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">STUDY MUSIC PRODUCTION WITH BERKLEE ONLINE<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By grasping the concept of velocity layers in a sampler you will be able to better use and more easily create your own dynamic and exciting sampler patches.<\/p>\n","protected":false},"author":7,"featured_media":9602,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1,13,9584,7579,23,9563,9592],"tags":[126,1039,1152,1188,1253,1254],"class_list":["post-8225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-electronic-music-articles","category-electronic-music-lessons","category-lesson-content","category-music-production-lessons","category-music-production-articles","category-technology-articles","tag-audio","tag-nn-xt","tag-production","tag-reason","tag-sampler","tag-sampling"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - 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