{"id":9439,"date":"2017-02-13T16:49:13","date_gmt":"2017-02-13T20:49:13","guid":{"rendered":"https:\/\/online.berklee.edu\/takenote\/takenote\/?p=9439"},"modified":"2026-01-20T17:43:05","modified_gmt":"2026-01-20T22:43:05","slug":"berklee-online-professor-mark-cross-goes-50-shades-darker","status":"publish","type":"post","link":"https:\/\/online.berklee.edu\/takenote\/berklee-online-professor-mark-cross-goes-50-shades-darker\/","title":{"rendered":"Berklee Online Professor Mark Cross Goes Fifty Shades Darker"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-mark-cross-journey-from-tv-mixing-to-feature-film-licensing-and-composition\">Mark Cross\u2019 Journey From TV Mixing to Feature Film Licensing and Composition<\/h2>\n\n\n\n<p>Even though Mark Cross composed three pieces of music for the brand new <em>Fifty Shades <\/em>film, it\u2019s unlikely that he and his wife will be sitting in the cinema on Valentine\u2019s Day when the film officially opens.<\/p>\n\n\n\n<p>\u201cI would love to go on opening night but in the harsh light of reality, with small children, we\u2019d have to get a babysitter,\u201d says the composer, who graduated from Berklee College of Music in 1986, receiving two bachelor\u2019s degrees; one in music production engineering and the other in music education. He\u2019s currently a faculty professor at California State University Northridge and he teaches <em><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"http:\/\/online.berklee.edu\/courses\/music-production-analysis?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\">Music Production Analysis<\/a><\/em>, <em><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"http:\/\/online.berklee.edu\/courses\/audio-post-production-for-film-and-tv?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\">Audio Post Production for Film &amp; TV<\/a><\/em>, and <em><a href=\"http:\/\/online.berklee.edu\/courses\/pro-tools-101?campaign_id=7010Z000001ZkQgQAK&amp;pid=&amp;utm_source=takenote&amp;utm_medium=blog&amp;utm_campaign=bol-gen-takenote-link-from-article\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Pro Tools 101<\/a><\/em>&nbsp;at Berklee Online, in addition to the engineering and composition work he does.<\/p>\n\n\n\n<p>Basically, he\u2019s a busy guy.<\/p>\n\n\n\n<p>The most that Cross has seen of any <em>Fifty Shades <\/em>franchise was the first hour of the first film when it was on HBO, shortly after he was offered the gig to compose source cues for the sequel. Cross took a call from <em>Fifty Shades Darker <\/em>director James Foley and the film\u2019s music editor and music supervisors. Immediately after they emailed him a temporary clip of what they were looking for, he began composing: without viewing a single scene of the new film.<\/p>\n\n\n\n<p>\u201cI got the feeling that they just had so much on their plate that the quicker that I could get to the point and get off the phone, the happier they would be,\u201d he says with a laugh, as he recalls the process.<\/p>\n\n\n\n<p>He turned the piece around within a matter of hours, and the team was happy with his composition. So happy, in fact, that they offered him two more cues. He still doesn\u2019t know for sure what is happening in the scenes he composed for, but he\u2019s pretty sure it\u2019s not the steamy fare that has given the <em>Fifty Shades <\/em>franchise its reputation.<\/p>\n\n\n<div class=\"wp-block-image size-medium wp-image-9441\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"196\" src=\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2017\/02\/Mark-MixPix-300x196.jpg\" alt=\"\" class=\"wp-image-9441\" srcset=\"https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2017\/02\/Mark-MixPix-300x196.jpg 300w, https:\/\/online.berklee.edu\/takenote\/wp-content\/uploads\/2017\/02\/Mark-MixPix.jpg 421w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Mark Cross usually works on production and mixing for films, so the Fifty Shades gig was a big deal for him.<\/figcaption><\/figure><\/div>\n\n\n<p>\u201cI know that there\u2019s one scene where they\u2019re in a restaurant having dinner, or something like that, and jazz music is playing in the background,\u201d he says. \u201cI think there\u2019s another one where they\u2019re at one of the characters\u2019 parents\u2019 house and music is playing in the background, and that would be that. One scene might be in a grocery store.\u201d<\/p>\n\n\n\n<p>Cross speaks with a reverence and excitement about his involvement in <em>Fifty Shades Darker<\/em> that stands in stark contrast to the lack of information he has about it. Prior to getting the gig, he had been completing his master\u2019s in music education from Boston University. He had mentioned to his wife\u2014producer Megan Murphy, who was also getting her master\u2019s at the same time\u2014that because he was turning down opportunities while he was studying, he was worried that there would be none left when he finished his program.<\/p>\n\n\n\n<p>\u201cI was commenting to her, in the middle of the summer, that I was a little concerned about getting back in the saddle upon completion of our degrees,\u201d he says, \u201cit\u2019s funny that you put that out into the universe, and then, boom! Literally a week or two after graduation I got an opportunity to work on a film and then this came kind of out of the blue and so I just got right back in, which was really cool and obviously I\u2019m very happy about it.\u201d<\/p>\n\n\n\n<p>Many of Cross\u2019 previous credits in film are for production and mixing, on movies such as <em>Alien: Resurrection<\/em>, <em>Seabiscuit<\/em>, and <em>Cars<\/em>. Most of Cross\u2019 experience in composition is in TV, on shows such as <em>Key and Peele<\/em>, <em>Curb Your Enthusiasm<\/em>, and <em>Last Comic Standing<\/em>. He says getting this licensing opportunity for a movie is definitely more than just a boon for his resum\u00e9.<\/p>\n\n\n\n<p>\u201cTV licensing is typically low, unless you are the Rolling Stones,\u201d he says. \u201cI would say that licensing money for a feature film is easily ten times that of television.\u201d<\/p>\n\n\n\n<p>As far as when he\u2019ll be able to find the time to see <em>Fifty Shades Darker<\/em>, he says \u201cwhen the universe allows.\u201d<\/p>\n\n\n\n<p>\u201cThe subject matter of the shows that we\u2019re on is too mature for us to really share with our children: They just kind of know that mommy and daddy work on movies and TV shows,\u201d he says. \u201cThey\u2019re more into their shows so they\u2019re just kind of like, \u2018Well, did you work on <em>Teen Titans Go!<\/em>?\u2019 and I\u2019m like, \u2018No, I didn\u2019t,\u2019 so they\u2019re like, \u2018Okay, whatever.\u2019\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even though Mark Cross composed three pieces of music for the brand new Fifty Shades film, it\u2019s unlikely that he and his wife will be sitting in the cinema on Valentine\u2019s Day.<\/p>\n","protected":false},"author":13,"featured_media":9442,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9570,35,9569,9560],"tags":[186,524,6919,870],"class_list":["post-9439","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-composition-orchestration-arranging-articles","category-instructor-profiles","category-music-for-film-tv-and-games-articles","category-spotlight","tag-berklee-professor","tag-fifty-shades-darker","tag-fifty-shades-of-gray","tag-mark-cross"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - 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