Lee Gilboa is a US-Based Israeli composer, researcher, and audio engineer. In her work, she uses speech, audio spatialization, and vocal processing, and engages with different themes around sonic identity such as naming, representation, collectivity, oppression, and self-expression. While living in New York between 2017 and 2019, she began her work as a curator for Daniel Neumann’s CT::SWaM, and she developed her debut album, The Possibility of Sonic Portraiture (Contour Editions). Her works have been presented at Roulette Intermedium, the Immersion Room at New York University, the Cube at Virginia Tech, the Ars Electronica Forum Wallis festival, and the New York City Electroacoustic Music Festival, among others, and at conferences such as the Audio Testimonies Symposium, Residual Noise, and the Sound of Sound Studies. Gilboa has participated in several master classes and artist residencies internationally, including the Atlantic Center for the Arts, the Honk-Tweet, and IRCAM's ManiFeste Academy. She holds degrees from Berklee College of Music and Columbia University. Currently, she is pursuing a Ph.D. in Brown University’s music and multimedia composition program. Recent activities include the release of a collection of works titled The Other’s Conception and a collaboration with the rapper Sammus.