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A woman listening to her music on a Spotify playlist
How to Get Your Music on Spotify Playlists

Playlists have become the ultimate music discovery tool, helping artists reach new audiences and boost their streams. From algorithmic to editorial, getting your music on a Spotify playlist is a marketing tactic artists need to hack. Learn how to navigate the process and maximize your chances of your music landing on a playlist.

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An illustration shows the side profile of a woman's head, and inside her mind we see that she is thinking of how she plays her oboe.
Mental Practice Techniques: A Comprehensive Guide for Musicians

As a musician, not all of your practice will be on your instrument. Some of it will be in your head, and some of it may even be on objects that just look like your instrument. We call this mental practice, and in this excerpt from Barbara LaFitte’s Practicing Techniques for Musicians course, the former principal oboist in the Boston Ballet Orchestra shares tips on how to practice your instrument when you just aren’t able to actually play your instrument.

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A dancer stands against a background of smartphones, holding the scales of justice aloft to symbolize copyright in the age of TikTok dances
Can You Copyright Choreography? Inside the Murky Legal Landscape of TikTok Dances

Navigating copyright infringement and protecting your choreography in the era of TikTok dances is becoming increasingly important. See how Berklee Online instructors advise you on laying down the law when trying to get your dance to trend.

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Arooj Aftab Music Is My Life interview
Arooj Aftab on ‘Vulture Prince,’ Grammy Noms, Genius.com, and Berklee

Arooj Aftab began getting notice with a viral cover of Leonard Cohen’s “Hallelujah” more than 15 years ago, but with two Grammy nominations, she has finally arrived. Her “Vulture Prince” album is a stunning work that frequently reaches transcendence.

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Music is My Life: Episode 012

Cindy Wilson of the B-52’s Talks Solo Debut, ‘Rock Lobster,’ and More

She also explains the chorus of this song, kind of . . .

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