From ‘Blade Runner’ to Berklee Online: Owen Gurry’s Path to Film and TV Scoring
Owen Gurry went from rural Wales to working on Blade Runner 2049 and Netflix series, all while completing his Berklee Online degree. In this conversation, the guitarist and composer talks about returning to finish what he started and how online study fit into an already full creative life.
Berklee K-Pop Expert Dr. Ray Seol on the Phenomenon of ‘KPop Demon Hunters’
Songs from KPop Demon Hunters have stormed the Billboard charts, with “Golden” hitting No. 1 in summer 2025. Berklee K-Pop expert Dr. Ray Seol unpacks why this animated phenomenon resonates far beyond its tween audience—with its mythology, cultural impact, and irresistible hooks.
Frank Louis’s Year of ‘Yes’: A Major League Collaboration with Berklee’s Katie Day
Frank Louis was ready to leave music behind—until Katie Day’s Berklee Online class helped him discover a new path in advertising music. One year later, his work is featured in a national MLB campaign. Now he’s finishing his bachelor’s degree, running his own company, and inspiring others to say “yes” to unexpected opportunities.
John Williams and the Music of ‘Star Wars’
It’s hard to overstate the importance of the career of John Williams in the history and evolution of film music. In honor of Star Wars Day on May 4 (may the fourth be with you), we’ll explore how John Williams and his music became such an essential aspect of the beloved franchise.
Horror Music from ‘The Shining’ Main Title Explained
In many ways, the idea of using twentieth-century concert music to elicit fear and suspense in film was pioneered by The Shining. In this excerpt from Ben Newhouse’s Music Composition for Film and TV 1 course, you’ll examine melody, tone color, tempo and rhythm, harmony, and time associations from the main title sequence of the movie.
Berklee Online Student Chris LaRosa Places Top 5 in European Recording Orchestra Contest
After Chris LaRosa heard a live orchestra performing one of the scores he wrote for an assignment in the Composing the Orchestral Film Score course, he decided to enter the composition in the European Recording Orchestra’s Call for Scores Contest. He placed as one of the top five finalists.
A Film Composer’s Guide to the Movie Set: Directors, Producers, Writers, and More!
In this excerpt from Berklee Online’s Film Scoring 101 you’ll get a sense of who does what on a movie set, whether it’s a director, producer, writer, or composer.
Video Game Design and the Playcentric Approach
In video game design, the playcentric approach puts the player experience at the center of the design process. Read why this matters in this course excerpt from Lori Landay’s Game Design Principles course.
Orchestration: How to Write for an Orchestra
“It is assumed that, if you can write for orchestra, you can write for anything.” An agent once told me that, and I took it to heart so much that I wrote two courses to help you get where you need to be with orchestration. Here is an excerpt.
Scott Gentile on Scoring His Brother’s Feature Film ‘American Murderer’
Scott Gentile, who earned his professional certificate in Composing and Orchestrating for Film and TV, discusses scoring the feature film “American Murderer,” directed by his brother, Matthew Gentile.



