Inspiration for Music Makers
published by Berklee Online
Berklee Online presents
This post is another quick heads up. I have been using the 3 Leaf Proton Envelope Filter for a couple of months now on my go-to board.
A couple of electronic dance music (EDM) production tricks that can come in handy for all types of beat driven, electronic music styles
Do remixes have a defined song structure? Yes they do, and for good reason. The object of a dance music remix is to get the song that’s been remixed played in the clubs.
Every now again I get excited knowing that I might be the one first who brings a great product to your attention.
Learn how to remix with Berklee Online music production instructor Erik Hawkins who discusses the history and renaissance of remixing.
Here’s a post to highlight a wah I recently added to my arsenal of tone generators. I love wah pedals! It is a big part of the retro-funky-R&B sound of the songs I write and sing.
This post I would like to share a new product worthy of attention. Many of you have already read my earlier post about the Allston Amp Dumbalina made by Rob Lohr in the basement of Mr. Music
Thaddeus Hogarth, a guitar instructor and course author at Berklee Online, talks about his own experience with the Klon Centaur guitar pedal, and how its introduction in the ′90s is arguably one of the most significant milestones in the world of overdrive pedals.
Berklee Online instructor Erik Hawkins shares techniques for easy sound design in Reason and ways to help to develop your voice as a music producer.
Berklee Online guitar instructor Thaddeus Hogarth demonstrates and recommends the Moen UL-VB Jimi Zero Vibe guitar pedal.