Janet Billig Rich discusses her long career in the music business, which started in merch sales, grew to an internship at Caroline (where she signed Hole), led to a career in management (where she managed acts like Nirvana and Dinosaur Jr.) and now has settled into music supervision.

Vanessa Carlton engages in a candid discussion about the seedy underbelly of the music industry, why followups to “A Thousand Miles” were more successful than some of the men on her team wanted her to believe, and why “Love Is An Art” marks a new beginning for her.

Sam Hales of Jungle Giants on taking the reins of his band, working two jobs to make an EP, and learning to trust your instinct.

Eddy Grant began his career in the 1960s with the Equals, and 20 years later he made some of the biggest hits of his life, like “Electric Avenue” and “I Don’t Wanna Dance,” by fusing rock, reggae, and elements of electronic music. He continues to pioneer new sounds like soca and ringbang.

Lisa Loeb discusses three decades in the music business, and how she was able to turn her initial success into a dozen different endeavors.

Matt Ward shares how a Beatles songbook and a closeted $25 guitar helped define his path as a musician, a journey which has led to create the poignant new M. Ward album, ‘Migration Stories.’

Katherine Paul (AKA Black Belt Eagle Scout) discusses growing up on the Swinomish Indian Reservation in Washington state, and the changes that happened after she discovered Madonna, emo music, and how to put on a great show.

Ron Pope discusses his new album, as well as his smash, “A Drop in the Ocean,” and a whole lot more.

“What I would like the world to know about my situation is that being a refugee doesn’t mean I must be limited,” says Dorcas Mungusa, an asylum-seeker and a Berklee Online student.