Dr. Krystal Prime Banfield doesn’t just want to teach popular music, she wants to inspire others to teach it as well.

Peter Bell has written countless jingles for brands like Nike, RC Cola, Converse, and the American Red Cross, so he knows a thing or two about writing music for advertising.

Eric Church’s Grammy-nominated song “Some of It” is a great example of the personal and universal “slice of life” that makes this type of writing tick.

First there was TIDAL, and now there’s Amazon Music HD, another mainstream high-fidelity streaming service. Berklee Online instructors Jonathan Wyner, Erin Barra, Prince Charles Alexander, and Sean Slade share their thoughts on music streaming quality and whether it matters to music industry professionals like themselves, the average listener, and the audiophile.

Berklee Online music production instructor Erik Hawkins teamed up with his students to test out the remote collaboration program, Splice Sounds.

When Dr. Joe Bennett is not acting in his position as a vice president for Berklee College of Music, he investigates copyright infringement in the music industry as a forensic musicologist.

Music Business Finance covers everything from understanding financial calculations to interest rates to crowdfunding.

In a series of video tutorials, Berklee Online instructor E. Michael Harrington explains the specifics of copyright law as it applies to music.

I first learned about one of the more clever touring strategies when I booked a date on the debut US tour of the now multiplatinum band the Police.