The Stutter Edit plug-in, conceived and developed over the past fifteen years by pioneering electronic music artist and composer, BT, is pretty amazing.

Sidechain compression is a wonderful production trick. Originally, it was used to duck music behind an announcer’s voice on the radio.

Here is this week’s amazing pedal to add to your arsenal of tone shapers: The WET Reverb pedal.

Jonathan Feist explains the concept of imaginary barlines in music theory, a notation convention designed to help the music reader know what’s syncopated.

A common question I hear from students is, “Do I need to hire a mastering engineer?” The answer is, it really depends; it depends on what you’re trying to accomplish.

I always sequence my drum beats in real-time, using a MIDI controller, such as my keyboard or drum pads.

Berklee Online guitar instructor and course author Thaddeus Hogarth reviews and demos the Two-Rock Custom Reverb Signature amplifier.

As promised, I’ve finally put together a comprehensive video about using Propellerhead’s ReCycle software and how to create your own REX loops.

Every term, without fail, I get a few assignments handed in with all of a mixer’s solo buttons enabled.