If you’ve never written lyrics before, it can be overwhelming to imagine where to start. I often hear from my online students how relieving it is to bring structure and tools into the mix as we delve into lyric writing. Within the first four weeks, most students have much greater clarity about what makes a good lyric, and how to craft one.
I’ll outline a few ideas here to get us started, and suggest the online courses Lyric Writing: Writing from the Title, Commercial Songwriting Techniques, and Lyric Writing: Tools and Strategies for further study.
1. Start with what you want to say.
Get familiar with journaling using your senses. Taste, touch, sight, sound, smell, and movement are descriptors that help bring your listener into an experience of a small moment. A small moment is a snapshot of life, a scene where your song is set within. We hear these small moments all over in songwriting – the singer’s bedroom at 2am, driving down Santa Monica Boulevard, or hot-wiring a stolen car. It’s these moments that place the listener in the heat of the moment. Try choosing a small moment and writing about it using your senses of taste, touch, sight, sound, smell, and movement. Don’t try to rhyme, and don’t write with a particular rhythmic pattern. Just write.
2. Read lyrics from other artists (don’t listen to the songs!).
Notice how much repetition, simple language, and how clean and clear is the main message in the chorus. What message do you want your listener to walk away from the song knowing? This is your chorus. What small moment shows a great example of that main message? This is your first verse.
3. Notice the conversational quality.
Write like you speak. We speak English, we write English, we tell stories from our lives, and have meaningful conversations with friends. But for some reason as soon as we sit down to write lyrics, we believe those skills are not enough. We get obscenely abstract and poetic; we contort the language to get our rhymes to fall at the ends of the lines even when the content no longer makes sense. We forget what we’re really trying to say in the first place, trying to give the song a breadth and meaning that DaVinci himself couldn’t capture in the expression on Mona Lisa. Why? Because we almost failed high school English class? Perhaps. But keep in mind that the most important quality of a great lyric is authenticity. Write like you would if you were relaying the story to a small group of people who care about you and what you have to say.
4. Lengthy lyrics compound problems.
Try writing a simple verse (such as four or six lines) moving into a chorus with lots of repetition. Or, try starting a song with the chorus. Simplicity is hard to master, but worth pursuing. The longer a lyric becomes, the greater the potential for confusion.
5. Collaborate as frequently as possible with good lyricists.
Soak up some of that good lyric writing energy, and you’ll soon realize that you have good ideas too. You’ll also soon realize how closely linked lyric rhythm is to melodic rhythm, opening up a whole new area for your melodies and lyrics alike.