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Hip-Hop Drum Beat and Bass Tutorial

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I’ve received many requests for tutorials on writing/producing a hip-hop or dance beat. In theory, this is a nice idea. In reality, there’s just no way you can encapsulate all of the creative and technical know-how that goes into writing and producing a great sounding beat in a single tutorial. Fortunately, that hasn’t stopped me from trying, because even if I can’t pack all of the relevant information into one tutorial, it’s still worth doing for the information that I can share in about a ten-minute video.

So, I threw on some clothes, my Remix Miami T-shirt, didn’t bother to shave, set up the camera (top view down so you could see my hands on the control surfaces), and wrote a hip-hop style beat off the top of my head. It took me around 40 minutes, but I edited the whole process down to about a 12-minute video. Obviously, there are some parts missing, such as playing with MPC backdrops for Kong, or running the hi-hats through a compressor. But, if you watch carefully, it’s all there, because in addition to the techniques I describe as I’m working, you can also see all the device settings and the connections when I flip Reason’s rack over.

Yes, this demonstration was done using an older version of Reason, but even though this was done in Reason 5, all of the techniques are still applicable in later versions of Reason. The only major thing I would do differently is to use Reason’s Main Mixer for Kong’s individual outputs rather than the 14:2 Mixer. From the Create menu choose Create Mix Channel to open up new mixer inputs in the Main Mixer. Have fun!

About

Erik “Hawk” Hawkins is an EDM artist, producer, composer, remixer, label owner, and author. His music has been used by major television networks and film studios, including ABC, CBS, MTV, Nickelodeon, and New Line Cinema. His writing has appeared in top industry publications, including Electronic Musician, Mix, Remix, and Keyboard. He has authored several books, including tje Complete Guide to Remixing and Producing Drum Beats. His Berklee Online course, Programming and Producing Drum Beats, won an UPCEA Award in 2012. He also manages his own busy YouTube channels and has collected way too many vintage synths.

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