Don Letts introduced punks in the 1970s UK scene to reggae, kind of. He was a good friend of Bob Marley, sort of. He is the embodiment of punk’s ethos of empowerment, freedom, and individuality, totally!

Margo Nahas and Jay Vigon are partners in life, love, and business, and have designed classic album covers by iconic acts like Fleetwood Mac and Prince. The pair discuss what it was like to work with these artists as well as how they met, why they moved from LA to Iowa, and the secret to a long-lasting partnership.

Huey Lewis: Some of his lies are true, including the ones about stowing away on a plane to Europe, playing soccer with Black Sabbath and Ozzy, and being dressed by Phil Lynott of Thin Lizzy. He also touches upon his meteoric rise to fame in the 1980s and his struggles with Ménière’s disease.

The New York Times documentary “Framing Britney Spears” demonstrates how mental health, addiction, and sexuality are considered shameful for female performers and detrimental to their music careers.

Steven Wilson may be best known for his solo work and the progressive rock he made with Porcupine Tree, but he’s been a key part of over a dozen projects.

Prince Charles Alexander is the author of multiple vocal production courses at Berklee Online and shares advice for vocalists and producers who are new to the studio.

Known for her playful style and fearless approach to recording, Sylvia Massy is a seminal figure in music production. In this Q&A, she discusses her career path.

Sam Hales of Jungle Giants on taking the reins of his band, working two jobs to make an EP, and learning to trust your instinct.

Eddy Grant began his career in the 1960s with the Equals, and 20 years later he made some of the biggest hits of his life, like “Electric Avenue” and “I Don’t Wanna Dance,” by fusing rock, reggae, and elements of electronic music. He continues to pioneer new sounds like soca and ringbang.