Pat Healy

Pat Healy is the editor-in-chief of Take Note and the associate director of content creation for Berklee Online. He hosts the Music Is My Life podcast and served as a writer and copy editor for the Disgraceland podcast during its first nine seasons. His work has appeared on Pitchfork, Spin, Paste, and numerous other music sites.




Jocelyn Rowland Khalaf stands in a green field, wearing a formal gown and holding a violin in the classic heavy metal shape of a flying V. Photo courtesy of Nathan Harmony Photography.

How ‘Classical Runaway’ Jocelyn Rowland Khalaf Found Her Way Back to Composing

Jocelyn Rowland Khalaf has played classical, rock, country, metal, and plenty in between. Now, the Berklee Online alum is preparing for a remarkable weekend (Oct. 17–18), featuring an Atlanta Philharmonic performance of a composition that started as an Orchestration 2 homework assignment and the premiere of a documentary she scored about Strawberry Shortcake creator Muriel Fahrion.

Portrait of Music Supervisor Julia Michels, standing against a white background and wearing a multi-colored blazer and blue jeans.

Julia Michels on Music Supervision for The Devil Wears Prada, Pitch Perfect, and More

From A Star Is Born to The Greatest Showman, Grammy-winner Julia Michels has helped shape some of Hollywood’s biggest musical moments. Now she brings that experience to Berklee Online as the author of From Script to Screen: Storytelling through Music. In this wide-ranging interview, she discusses finding the right song, working with filmmakers and artists, and why the best music supervision starts with feeling.

A colorful image of a side profile of a non-descript person wearing a pair of headphones with a heart on the earpiece, showcasing the love that Berklee Online instructors have for songs with stereo separation.

Feed Your Headphones: The Best Stereo-Panning Songs—According to Berklee Online Instructors

From psychedelic guitars and hard-panned drums to vocals that collapse from stereo to mono, Berklee Online instructors share standout songs that make creative use of the stereo field—and reveal how producers have spent six decades messing with the space between your ears.

Christiane Karam sits cross-legged and looks directly at the camera in this portrait set against a gray background.

Christiane Karam on Bobby McFerrin, Boxing, and the Music that Connects Us

What can singing with grandmothers in remote villages teach you about making music? For Christiane Karam, quite a lot. The creator of the Vocal Styles from Around the World course shares lessons gathered from musical traditions, unexpected mentors, and lived experience.

Amanda Monaco sits cross-legged and looks directly at the camera in this portrait set against a gray background.

Amanda Monaco on Big Hair, Jazz Guitar, and the Art of Teaching Music

From an F7 barre chord at age 12 to becoming a Berklee Online instructor, Amanda Monaco’s musical education has taken some unexpected turns, including a Mafia christening and a Chili’s commercial. She reflects on the experiences that shaped her playing and why hard work matters more than talent.

Tower of Power keyboardist Mike Jerel is pictured at his keys, wearing a white T-shirt and sunglasses, and reaching towards his microphone.

From The Voice to Tower of Power and Back: Mike Jerel’s Unexpected Return

After a vocal injury forced Mike Jerel to leave Tower of Power, he wondered whether his career was over. He enrolled in a Berklee Online graduate program to figure out what came next, only to receive an unexpected invitation to rejoin the band in an entirely different role.

In this portrait, Jonathan Wyner sits against a gray background, wearing a black T-shirt and blue blazer. His gray hair is pushed back and his hands are clasped.

Jonathan Wyner on Mastering David Bowie, Nirvana, and Music Education in the Age of AI

Jonathan Wyner has mastered recordings by Nirvana, and remastered classics by David Bowie and Frank Zappa. In this Q&A, he reflects on decades of technological change, unforgettable artists, and the curiosity that continues to drive his work as a mastering engineer and Berklee Online instructor.

Matt Rollings sits against a gray background, wearing a plaid shirt and a gray vest and pants. His hair is short and red, and he has a gray beard.

Matt Rollings on Willie Nelson, ‘Despacito,’ and Four Decades as an In-Demand Session Musician

From backing an unknown Lyle Lovett in Luxembourg to producing Grammy-winning records with Willie Nelson, and playing on “Despacito,” Matt Rollings has seen it all. In this extensive Q&A, the veteran session musician, producer, and author of Piano and Keyboard Techniques for Session Musicians reflects on four decades in the studio, unexpected career turns, and why reading the room matters.

A colorful image of a heart on a record with a cover that says "Live On Stage" showcases the love that Berklee Online instructors have for live albums.

The Best Live Albums—According to Berklee Online Instructors

We asked Berklee Online instructors to share the live albums they live for. Some chose legendary recordings, like Coltrane, the Dead, Aretha, and the Allmans, but others went for deeply personal picks tied to specific rooms, moments, and memories.

Sean Slade headshot 2025

Sean Slade on Radiohead’s ‘Creep,’ Fort Apache, and Trusting Your Instincts in the Studio

Sean Slade helped shape the sound of ’90s alt-rock, from Boston’s Fort Apache studio to Radiohead’s breakout hit “Creep.” In this Q&A, he shares the stories, instincts, and creative risks behind those sessions, along with the lessons that continue to guide his work as a producer and educator, teaching in Berklee Online’s Music Production grad program.