Beth Denisch’s new book presents practical ways to use counterpoint in today’s musical industry, whether you’re writing rock songs, film scores, EDM tracks, or any type of music.
“Even if you are using a written transcription, it is imperative to listen to the recording of the transcription to be able to better understand the player’s feel, articulation, nuances, etc.”
Now and then, I like to read Amazon reviews of our Berklee Press products. I might do this to get some insight into what to do for a revised edition of a book
Mark Simos is a songwriter, educator, and author, who has written for Alison Krauss, Ricky Skaggs, Del McCoury, Laurie Lewis, Jimmy Barnes, and so many others.
Suzanna Sifter is author of Berklee Jazz Keyboard Harmony: Using Upper Structure Triads, an extraordinary book that helps pianists organize and understand tensions
Jerry Gates’s work as an arranger, orchestrator, composer, and producer have been featured worldwide, on the concert stage and for TV shows and commercials.
If we believe what she wrote in her book’s introduction, Jane Miller’s office should get quite a bit neater and more organized soon.