Lumar LeBlanc, Julian Gosin, and Marcus Hubbard, three generations of the New Orleans band Soul Rebels discuss hometown sounds, what it’s like to keep a band together for 30 years, and backing up the likes of Katy Perry, Nas, and Metallica.

The details of these graduates’ stories vary, as do the reasons they chose to leave Berklee, but what unites them all is an overwhelming sense of inspiration.

Bandzoogle is stepping up its services to come to the aid of brokenhearted PledgeMusic users.

Ritzy Bryan of the Joy Formidable discusses why her Welsh heritage is so important to her music, how her time on Atlantic Records helped inform her understanding of the music business, and how her guitar acrobatics hurt her Fender as well as the forehead of Joy Formidable bassist Rhydian Dafydd. 

You know who Jon Kull is, even if you don’t know that you know who he is. You’ve heard his orchestrations in films like all of the “Hunger Games” movies, “King Kong,” “Avatar,” “Black Panther,” “Mary Poppins Returns,” and so many more.

Katelyn Brown reckons she has participated in Berklee Online classes from every state in the continental US. That’s because she’s been out on tour with husband Kane Brown for the better part of the past three years.

Bonnie Hayes talks songwriting for Bonnie Raitt (and winning a Grammy for it), touring with Bob Seger, playing keys for Billy Idol, and being blown away by the Sex Pistols in 1978, and how all of that led to her coming to teach at Berklee College of Music and Berklee Online.

Chip Taylor wrote “Wild Thing.” He really doesn’t need to write any more songs. But that doesn’t mean he’s showing any signs of stopping. He’s got a new album out, and is eager to discuss everything leading up to this moment on this edition of the Music Is My Life podcast.

Evan Dando has been releasing music for more than 30 years, reaching a commercial high point in the early and mid 90s with the Lemonheads albums “It’s a Shame about Ray” and “Come on Feel the Lemonheads.”