Jonathan Feist explains the concept of imaginary barlines in music theory, a notation convention designed to help the music reader know what’s syncopated.

A common question I hear from students is, “Do I need to hire a mastering engineer?” The answer is, it really depends; it depends on what you’re trying to accomplish.

I always sequence my drum beats in real-time, using a MIDI controller, such as my keyboard or drum pads.

Berklee Online guitar instructor and course author Thaddeus Hogarth reviews and demos the Two-Rock Custom Reverb Signature amplifier.

As promised, I’ve finally put together a comprehensive video about using Propellerhead’s ReCycle software and how to create your own REX loops.

This week I am writing a review on one of my favorite Overdrive pedals: the Ethos Overdrive Pedal.

Today I am posting a review I wrote for Berklee’s Guitar Faculty newsletter, Open Position. I thought it would be nice to share it with a larger community of tone-seekers.

Every term, without fail, I get a few assignments handed in with all of a mixer’s solo buttons enabled.

One eye-opening revelation in the quest for tone happening to me back in the early ’90s: I was playing with a relatively popular Boston-based band called the Heavy Metal Horns.