Producer and Berklee Online course author Sean Slade tells how a recording session he did with Lou Reed blew up, literally!

High profile copyright expert E. Michael Harrington tells the tale of bringing the Civil Rights-era anthem, “We Shall Overcome” into the public domain.

Prince Charles Alexander may have engineered some of the most iconic rap recordings of the ’90s, but it wasn’t until he listened to the Notorious B.I.G. that he realized how much it mattered.

Susan Rogers—who teaches the graduate course Psychoacoustics in Music Production for Berklee Online—worked as Prince’s staff engineer from 1983-1987. She discusses an average day with Prince.

Enrique Gonzalez Müller has been nominated for a Grammy for his work producing the album El Paradise by Los Amigos Invisibles.

Beth Denisch’s new book presents practical ways to use counterpoint in today’s musical industry, whether you’re writing rock songs, film scores, EDM tracks, or any type of music.

Jonathan Feist, editor in chief of Berklee Press, talks about writing his third book “Berklee Contemporary Music Notation.”

Matt Marvuglio’s legacy at Berklee spanned over four decades, from student to dean, performer to visionary. As the longest-serving dean in Berklee’s history, he helped launch major programs like the Global Jazz Institute and championed performance as the heart of music education. A virtuosic flutist and dedicated educator, Matt’s influence continues to resonate deeply throughout the Berklee community.

Even though Mark Cross composed three pieces of music for the brand new Fifty Shades film, it’s unlikely that he and his wife will be sitting in the cinema on Valentine’s Day.