Beth Denisch’s new book presents practical ways to use counterpoint in today’s musical industry, whether you’re writing rock songs, film scores, EDM tracks, or any type of music.

Jonathan Feist, editor in chief of Berklee Press, talks about writing his third book “Berklee Contemporary Music Notation.”

Matt Marvuglio’s legacy at Berklee spanned over four decades, from student to dean, performer to visionary. As the longest-serving dean in Berklee’s history, he helped launch major programs like the Global Jazz Institute and championed performance as the heart of music education. A virtuosic flutist and dedicated educator, Matt’s influence continues to resonate deeply throughout the Berklee community.

Even though Mark Cross composed three pieces of music for the brand new Fifty Shades film, it’s unlikely that he and his wife will be sitting in the cinema on Valentine’s Day.

In PT II of this podcast, Prince Charles Alexander shares how he walked away from fame (but not fortune) and how his path eventually led to Diddy, and engineering iconic albums.

Berklee Online professor Prince Charles Alexander shares how he came to fame that he walked away from and how Nile Rodgers and Diddy helped him reinvent himself.

Loudon Stearns began his relationship with Mike Gordon the same way many in his generation did, as a fan. But it led to the pair creating the most interactive concert technology available.

When Brian Funk first filmed an Ableton tutorial in his basement five years ago, he wanted to maintain his anonymity. So the high school English teacher put on sunglasses and dubbed himself AfroDJMac.

“The whole idea of MOOCs is to increase access to music education for people who wouldn’t necessarily have access otherwise,” Leah Waldo says.