I was at the New York Amp show earlier this year and the night before the show, I attended a jam session where one of my good friends was jamming through an amp called an Evil Robot.

Here’s a common mistake I see over and over: producing and mixing a track with a gain maximizer on your mixer’s main output.

In the long quest for tone, we often leave out the discussion on guitar picks. The question, “What kind of guitar pick do you use?”

The music industry is in such rough shape that some of your favorite bands have resorted to selling automobiles.

Berklee Online music production instructor Erik Hawkins offers a tutorial for writing and producing a hip-hop or dance beat.

I’ve been busy rolling out a new book and a new Berklee Online course that I’m very excited to tell you about.

The Stutter Edit plug-in, conceived and developed over the past fifteen years by pioneering electronic music artist and composer, BT, is pretty amazing.

Sidechain compression is a wonderful production trick. Originally, it was used to duck music behind an announcer’s voice on the radio.

Here is this week’s amazing pedal to add to your arsenal of tone shapers: The WET Reverb pedal.