Summer’s here and the time is right for this interview with Martha Reeves, reflecting on the timeless appeal of “Dancing in the Street,” how the social movements of the 1960s compare to the Black Lives Matter movement, as well as her storied career with Motown.

Behind the scenes with four Berklee Online Film Scoring grad students, who recently got to serve as music directors while an orchestra in Budapest performed scores the students had written.

Janet Billig Rich discusses her long career in the music business, which started in merch sales, grew to an internship at Caroline (where she signed Hole), led to a career in management (where she managed acts like Nirvana and Dinosaur Jr.) and now has settled into music supervision.

Gabrielle Davis is a drummer, a DJ, a new mother, and a graduate of Berklee Online. In 2014, she founded her music mentoring nonprofit, Dream League, to offer music education for students in her hometown of Flint, Michigan.

If you’re looking to express your anger and frustration, put your feelings to song. Here are some tools to revolutionize your songwriting.

Vanessa Carlton engages in a candid discussion about the seedy underbelly of the music industry, why followups to “A Thousand Miles” were more successful than some of the men on her team wanted her to believe, and why “Love Is An Art” marks a new beginning for her.

Sam Hales of Jungle Giants on taking the reins of his band, working two jobs to make an EP, and learning to trust your instinct.

Berklee Online’s graduating class of 2020 share stories of resiliency and celebrating virtual Commencement from their own spaces during the coronavirus pandemic.

Eddy Grant began his career in the 1960s with the Equals, and 20 years later he made some of the biggest hits of his life, like “Electric Avenue” and “I Don’t Wanna Dance,” by fusing rock, reggae, and elements of electronic music. He continues to pioneer new sounds like soca and ringbang.