Here’s a common mistake I see over and over: producing and mixing a track with a gain maximizer on your mixer’s main output.

The music industry is in such rough shape that some of your favorite bands have resorted to selling automobiles.

Here is this week’s amazing pedal to add to your arsenal of tone shapers: The WET Reverb pedal.

Jonathan Feist explains the concept of imaginary barlines in music theory, a notation convention designed to help the music reader know what’s syncopated.

A common question I hear from students is, “Do I need to hire a mastering engineer?” The answer is, it really depends; it depends on what you’re trying to accomplish.

Berklee Online guitar instructor and course author Thaddeus Hogarth reviews and demos the Two-Rock Custom Reverb Signature amplifier.

This week I am writing a review on one of my favorite Overdrive pedals: the Ethos Overdrive Pedal.

One eye-opening revelation in the quest for tone happening to me back in the early ’90s: I was playing with a relatively popular Boston-based band called the Heavy Metal Horns.