Here’s a common mistake I see over and over: producing and mixing a track with a gain maximizer on your mixer’s main output.

The music industry is in such rough shape that some of your favorite bands have resorted to selling automobiles.

Berklee Online music production instructor Erik Hawkins offers a tutorial for writing and producing a hip-hop or dance beat.

I’ve been busy rolling out a new book and a new Berklee Online course that I’m very excited to tell you about.

The Stutter Edit plug-in, conceived and developed over the past fifteen years by pioneering electronic music artist and composer, BT, is pretty amazing.

Sidechain compression is a wonderful production trick. Originally, it was used to duck music behind an announcer’s voice on the radio.

Jonathan Feist explains the concept of imaginary barlines in music theory, a notation convention designed to help the music reader know what’s syncopated.

A common question I hear from students is, “Do I need to hire a mastering engineer?” The answer is, it really depends; it depends on what you’re trying to accomplish.

I always sequence my drum beats in real-time, using a MIDI controller, such as my keyboard or drum pads.