As a musician, not all of your practice will be on your instrument. Some of it will be in your head, and some of it may even be on objects that just look like your instrument. We call this mental practice, and in this excerpt from Barbara LaFitte’s Practicing Techniques for Musicians course, the former principal oboist in the Boston Ballet Orchestra shares tips on how to practice your instrument when you just aren’t able to actually play your instrument.

Creating the perfect keyboard rig for live performances is all about matching your setup to the gig at hand, whether you’re playing a cozy club, a grand corporate event, or embarking on a nationwide tour. With the help of Adriana Balic (Berklee course author and keyboardist for P!nk), learn how to choose the right keyboard rig to ensure your performance is seamless and stress-free, no matter where you’re playing.

Explore how Berklee Online instructor Ben Camp is helping songwriters harness the creative potential of AI. Also, discover a unique approach to structuring prompts, and insights into the ethical debates surrounding AI-generated music.

Music education and technology are constantly evolving together, and Berklee Online’s newest development, a chatbot named BOB, is a testament to that. And before you ask, BOB stands for Berklee Online Bot.

The key of a sound recording may not always work for you; It may be too high or too low. This doesn’t mean that you can’t sing the song. In this excerpt from Berklee Online’s Improvisation Techniques for Singing Pop and R&B course, Gabrielle Goodman teaches you how to find your vocal range so you can pick a key that will make your voice shine.

October 12 is Hug-a-Bassist Day, a little-known but much-needed celebration that honors those who lay down the low end. Celebrate by hugging a bassist, obviously, but also by getting to know Berklee Online’s four bass instructors—each as essential as the four strings on a standard bass guitar.

After Chris LaRosa heard a live orchestra performing one of the scores he wrote for an assignment in the Composing the Orchestral Film Score course, he decided to enter the composition in the European Recording Orchestra’s Call for Scores Contest. He placed as one of the top five finalists.

In many ways, the idea of using twentieth-century concert music to elicit fear and suspense in film was pioneered by The Shining. In this excerpt from Ben Newhouse’s Music Composition for Film and TV 1 course, you’ll examine melody, tone color, tempo and rhythm, harmony, and time associations from the main title sequence of the movie.

Before you learn how to write a musical arrangement—and start to figure out what kind of arranging course you might want to take—you must first understand what arranging is. Here is a primer!