Authored by Eric Reuter


Course Code: OLMSC-215

Next semester
starts June 24

12 Weeks

Level 2

Level 2

3-Credit Tuition


Non-Credit Tuition


Become a better recording and live sound engineer, and improve your editing and mixing environment by learning the ins and outs of acoustics. Proper acoustics plays a major role in the success of any musical performance, whether it's in a recording studio, concert hall, or outdoors. This course is designed to introduce the fundamentals of acoustics, with a focus on spaces designed for recording music and live performance. Through both theoretical study and practical experimentation, you will learn the basics that contribute to good acoustics, including control of noise, manipulation of sound propagation, and isolation of sound. You will learn how to measure and quantify these key components in existing spaces, and how to predict acoustical behavior in new spaces.

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The course begins with the basics of sound, sound sources, and human perception. It then explores the relationship between the source of sound and the listener in three different scenarios: source and listener outdoors, source and listener in a room, and source and listener in separate rooms. These scenarios provide comprehensive coverage of the principles relevant to music performance, recording, and mixing.

Each week, you will be assigned acoustical problems to solve. Note that the course explores a number of mathematical concepts. These concepts will be reviewed before you are required to use them for the first time. The goal of the course is to enable you to predict and analyze the acoustical qualities of both indoor and outdoor environments, so that you can make informed decisions about the use or design of spaces in which to play, record, and mix.

By the end of this course, you will be able to:

  • Relate your experience of sound to the physical attributes of the source and the propagation path between the source and your ears
  • Predict and quantify the behavior of sound in rooms, including the effects of reflections and reverberation on the clarity of music and the intelligibility of speech
  • Predict and quantify the effects of outdoor environments on sound propagation, including sound barrier walls and other obstacles
  • Understand the challenges of small room acoustics and their effects on recording and mixing environments
  • Calculate change in sound pressure level relative to distance
  • Understand the principles of sound isolation and be able to predict and measure isolation between rooms
  • Measure room acoustics parameters using both traditional and state-of-the-art techniques
  • Use a handheld sound level meter
  • Understand sound absorption
  • Understand the basic principles and requirements of vibration isolation and HVAC noise control
  • Use your knowledge of these principles to improve the quality of your recordings and the fidelity of your mixing environment
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Lesson 1: The Properties of Sound

  • What Is Sound?
  • Waves
  • Graphing Waves

Lesson 2: Modes and Harmonics

  • Vibration and Modes
  • Representing Waveforms with Equations
  • Harmonics and Complex Waveforms
  • Modes and Harmonics

Lesson 3: Decibels and Octaves

  • Review of Logarithms
  • Octaves and Octave Bands
  • Decibels
  • Sound Pressure Level

Lesson 4: Sound Level Measurement

  • Adding Decibels
  • Equal Loudness Contours
  • Frequency Weighting
  • Sound Level Meters

Lesson 5: Sound Outdoors

  • Inverse Square Law
  • Source Models
  • When Sound Hits Things
  • Sound Barriers

Lesson 6: Room Acoustics

  • Sound Absorption
  • Propagation Indoors
  • Impulse Response
  • Reverberation Time

Lesson 7: Room Acoustics (Continued)

  • Room Constant
  • Critical Distance
  • Converting Power to Pressure

Lesson 8: Sound Indoors—Virtual Field Trip

  • Theater Overview
  • Measurement Equipment
  • Measurements
  • Data Analysis
  • Sound Reinforcement System

Lesson 9: Sound Isolation

  • Absorption vs. Isolation
  • Transmission Coefficient & Transmission Loss
  • Laboratory vs. Field Measurement
  • Mass Law and Coincidence Dip

Lesson 10: Sound Isolation Continued

  • Single-Number Descriptors
  • Composite TL
  • Decoupling & Damping
  • Practical Sound Isolation

Lesson 11: Small Room Acoustics

  • Standing Waves & Modes
  • Effect of Isolation on Standing Waves
  • Room Acoustics for Listening Environments

Lesson 12: Vibration and HVAC Noise

  • Vibration Isolation
  • HVAC Noise Sources
  • HVAC Noise Calculations
  • HVAC Noise Control


Prerequisites and Course-Specific Requirements 

Prerequisite Courses, Knowledge, and/or Skills
Completion of Applied Mathematics for Musicians, or equivalent knowledge and/or experience


  • Over-ear studio headphones, such as Audio-Technica ATH-M20x, Philips SHP9500, or better
  • Basic SPL meter (smartphone app is acceptable)


  • Calculator (hardware or software) with log function. Mac and Windows built-in system calculators in Scientific mode are sufficient.

Student Deals
After enrolling, be sure to check out our Student Deals page for various offers on software, hardware, and more. Please contact with any questions.

General Course Requirements

Below are the minimum requirements to access the course environment and participate in Live Chats. Please make sure to also check the Prerequisites and Course-Specific Requirements section above, and ensure your computer meets or exceeds the minimum system requirements for all software needed for your course. 

Mac Users

PC Users

All Users

  • Latest version of Google Chrome
  • Zoom meeting software
  • Webcam
  • Speakers or headphones
  • External or internal microphone
  • Broadband Internet connection


Eric Reuter

Author & Instructor

Eric Reuter has more than a decade of experience as a consultant and educator in acoustics. He operates an acoustical consulting firm in Portsmouth, NH, and has taught a variety of courses in acoustics and audio electronics at Berklee College of Music since 2000. His consulting spans a broad range of acoustical project work, including architectural acoustics and noise control, environmental noise, and vibration.

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Reuter is a Board Certified Member of the Institute of Noise Control Engineering, serves on the Board of Directors of the National Council of Acoustical Consultants, and is an active member of the Acoustical Society of America. He spends his time off racing his sailboat, chasing trains, and tinkering with antique Volvos. Read Less


Contact our Academic Advisors by phone at 1-866-BERKLEE (U.S.), 1-617-747-2146 (INT'L), or by email at

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