Composing the Orchestral Film Score
Authored by Sean McMahon
Course Code: OCOMP-599
This course results in one cue recorded remotely with a 40-piece professional orchestra. These recordings are well suited for your demo and use as promotional material. This course emphasizes process: you will compose, orchestrate, copy, prepare Pro Tools sessions, and mix your cue along with weekly writing assignments. You will gain recording experience and learn how to produce a session, directing professional musicians. You will expand your composer's toolbox and employ various compositional and orchestration devices to maximize the dramatic impact of their music. You will also learn from Hollywood’s finest composers and studio musicians through master classes.
By the end of the course, you will be able to:
- Write effectively for a real orchestral ensembles
- Prepare record-ready Pro Tools sessions and professional standard scores and parts
- Produce recording sessions and manage recording time
- Create well-blended hybrid cues for MIDI instruments and live players
- Employ a broad range of compositional and orchestral devices for cinematic and emotional effect
SyllabusSyllabus coming soon.
RequirementsRequirements coming soon.
General Course Requirements
Below are the minimum requirements to access the course environment and participate in live chats. Please make sure to also check the Prerequisites and Course-Specific Requirements section above, and ensure your computer meets or exceeds the minimum system requirements for all software needed for your course.
- Latest version of Google Chrome
- Zoom meeting software (available in the course when joining your first chat)
- Speakers or headphones
- External or internal Microphone
- Broadband Internet connection
Author & Instructor
Sean McMahon is the chair of the Film Scoring department at Berklee College of Music. He is a composer and an orchestrator whose credits include Spider-Man 3, Bridge to Terabithia, The Exorcism of Emily Rose, and more. He has also scored a number of video games, including Jump Dewds! and Strata.
McMahon hails from Toronto, Canada, and holds a Bachelor’s degree in Film Scoring from Berklee College of Music. He has also completed the University of Southern California’s (USC) Scoring for Motion Pictures and Television program in Los Angeles.
After his studies at USC, McMahon remained in Los Angeles to work for veteran Hollywood film composer and Golden Globe nominee, Christopher Young (The Shipping News, Swordfish, Runaway Jury). McMahon assisted Young in several roles including project manager and lead orchestrator. Their work together includes such films as The Grudge, Ghost Rider, Tyler Perry’s A Madea Christmas, and dozens more. McMahon has also orchestrated for Oscar-winner, John Ottman, on films such as Fantastic Four: Rise of the Silver Surfer and The Invasion. McMahon has been commissioned twice by the American Composers Forum to speak at national composer conferences on Hollywood film music and video game music. In 2013 McMahon shared the stage with game composing titans Lennie Moore (Halo: The Master Chief Collection, Star Wars: The Old Republic, Lord of the Rings: The War of the Ring) and Jason Graves (Dead Space, Tomb Raider) for a game music conference called “Game On!” Read Less