Rock Drums

Author: Rod Morgenstein   •   Course Code: OPERC-261

Rock drumming is an incredibly diverse drumming style filled with subtlety and artistic expression. Rock Drums is a hands-on, performance-based course full of top tier musical examples and playing opportunities that will teach you the time-tested techniques behind playing a variety of rock drumming styles. The course, authored by world-famous drummer Rod Morgenstein (Winger, Dixie Dregs), begins by exploring the tried and true patterns from the earliest days of rock and roll, which continue to impact virtually every genre of rock music today. From there, the course covers topics such as different kinds of beats and fills, how to change the sound and feel of a groove, the influence of Latin rhythms on rock drumming, ghost-stroking techniques, syncopated grooves, odd time, double bass drumming, and the rudiments as they apply to rock drumming.

The course explores the influence of the 60s drumming icons (Ringo Starr, Mitch Mitchell, Ginger Baker, John Bonham, Charlie Watts, and Keith Moon) that laid the groundwork for many of the rock bands that followed. The course features musical drumming examples from over 100 artists including The Beatles, AC/DC, Blink 182, Green Day, Led Zeppelin, Motley Crue, Nirvana, Soundgarden, Rolling Stones, Rush, Incubus, Red Hot Chili Peppers, Kiss, Radiohead, Judas Priest, Slipknot, Dream Theater, Grateful Dead, System of a Down, Pink Floyd, The Police, Opeth, and more. Each lesson also includes play-a-long tracks to inspire you to create your own unique drum parts based on the material covered. The course is geared to part-time hobbyists as well as drummers who have their eyes set on a career in music. Course author Rod Morgenstein bases the material on his 35 years of real-life recording and performing experience, which includes recording on over 50 CDs and playing over 3,000 concerts in roughly 25 countries, in venues ranging from clubs and theaters to arenas and stadiums.

By the end of this course, you will be able to:

  • Understand various drumming concepts, approaches, and techniques for playing effectively in diverse rock music settings
  • Identify why grooves sound and feel the way they do
  • Orchestrate effective grooves and fills around the drum set, such as basic eighth-note patterns, more complex sixteenth-note patterns, syncopated grooves, blues grooves, shuffles, half-time shuffles, ghost stroking patterns, odd time feels, double bass beats and fills, Latin-influenced rock patterns, rudiments applied in a rock context, and unusual approaches to creating grooves
  • Play with an authentic sound and feel
  • Strengthen your knowledge of and ability to play various rock drumming styles through the study of some of rock musicÂ’s most significant drummers
  • Change the sound and feel of any groove to accommodate different rock genres

Lesson 1: Back to Rock Basics

  • Seven Tried and True Basic Eighth Note Kick/Snare Patterns
  • Changing the Feel of a Groove
  • Respecting Simplicity
  • Listening and Analysis

Lesson 2: The Backbeat and Beyond

  • Single Backbeats, Straight-Four Snare Drum, Snare Drum Variations, Snare Drum Beat Displacement
  • Bass Drum Variations, Drum Set Colors
  • Beyond the 2 and 4 Snare Backbeat
  • Listening and Analysis
  • The Medium Phenomenon

Lesson 3: Rounding Out the Basics

  • Introduction to Fills
  • The Beat Fill
  • Eighth Note Fills
  • The Backbeat Fill
  • Listening and Analysis

Lesson 4: Building on the Rock Basics, Part 1

  • Introduction to Sixteenth Notes
  • Sixteenth-Note Ride Patterns
  • Changing the Feel of a Groove
  • Sixteenth-Note Kick/Snare Patterns
  • Listening and Analysis

Lesson 5: Building on the Rock Basics, Part 2

  • Sixteenth-Note Kick/Snare Patterns, Continued
  • Straight Four Snare Drum, Open Hi-Hat Beats, Tom Tom Beats
  • Additional Ride Patterns
  • The World of Sixteenth Notes
  • Listening and Analysis

Lesson 6: Triplets and Shuffles

  • Triplet/Shuffle Ride Patterns
  • Changing the Feel of a Groove
  • Half-Time Feel, Snare Drum Variations, Shuffle Variations, Tom-Tom Beats, Drum Set Colors
  • Triplet, 6/8-12/8, Shuffle, and Half-Time Shuffle
  • Listening and Analysis

Lesson 7: Beyond the Eighth-Note Drum Fill

  • Triplet Fills
  • Sixteenth-Note Fills
  • 32nd Notes and Sextuplets
  • The Medium Fill Phenomenon
  • Listening and Analysis

Lesson 8: The Guys Who Started It All: Signature Grooves and Classic Fills

  • Six Groundbreaking Drummers
  • Signature Drum Grooves
  • Classic Drum Fills
  • Listening and Analysis
  • Creating Signature Drum Grooves

Lesson 9: Ghost Strokes/Syncopated Grooves

  • Ghost Strokes
  • Ghost Stroke Transcriptions
  • Syncopated Groove Transcriptions
  • Listening and Analysis

Lesson 10: The Influence of Latin Rhythms

  • Clave
  • Brazilian Rhythms
  • Afro-Cuban Rhythms
  • Calypso and Reggae
  • Listening and Analysis

Lesson 11: Odd Time/Double Bass 

  • Odd Time
  • Rock On in Odd Time
  • Double Bass
  • Listening and Analysis

Lesson 12: Everything Is Connected

  • Rudiments In Rock
  • Expanding Your Drumming Palette
  • Listening and Analysis
  • Final Thoughts/Putting It All Together

Rod Morgenstein

Author & Instructor

Rod Morgenstein is a professor in the Percussion department at Berklee College of Music, currently in his 14th year of teaching. He is a founding member of the ground-breaking progressive rock fusion group the Dixie Dregs, whose six most recent recordings received Grammy nominations for Best Rock Instrumental Performance. The band, touted by the Philadelphia Inquirer as "possibly the most important, and certainly the most technically advanced instrumental group in progressive fusion," continues to record and tour to this day.

Morgenstein is an original member of the heavy metal band Winger, whose recordings have reached gold and platinum status around the world. The band received an American Music Award nomination for Best New Heavy Metal Band in 1989 and, most recently, toured in over 20 countries in support of its latest release Karma. Other projects have included recording and touring with Dixie Dregs/Deep Purple guitarist Steve Morse in the Steve Morse Band; recording with Kip Winger, whose albums Thisconversationseemslikeadream, Songs from the Ocean Floor, and From the Moon to the Sun have achieved critical acclaim; teaming with Dream Theater keyboard virtuoso Jordan Rudess in the Rudess Morgenstein Project; The Jelly Jam with Dream Theater bassist John Myung and guitarist Ty Tabor from King's X; and the jazz-fusion jam band Jazz Is Dead, which has featured bassist Alphonso Johnson, guitarists Jeff Pevar and Jimmy Herring, and keyboardist T Lavitz. Morgenstein has also recorded and toured with Country Music Award winning violinist and fiddling champion Mark O'Connor and Little Feat guitarist Paul Barrere. He was part of a select group of drummers chosen to play on the Buddy Rich tribute album, Burning for Buddy. In addition, he was the resident drummer for Thoroughbred Music's annual Guitar Expo from 1995 through 1999, jamming with the likes of Slash, Billy Sheehan, Ingwie Malmstein, Mike Stern, Zach Wilde, and Ace Frehley.

Morgenstein was named the Best Progressive Rock Drummer by Modern Drummer in 1999 and is a five-time winner of the Modern Drummer Reader's Poll for Best Progressive Rock Drummer. He has been on the cover of international drum magazines 13 times, including Modern Drummer (U.S.), Rhythm (U.K.), Drums and Percussion (Germany), Sticks (Germany), Batteur (France), Drumhead (U.S.), Drum Tracks (U.S.), and Drumhead (China). He has been a regular contributor to Modern Drummer's Rock Perspectives column for many years, a member of the magazine's advisory board since the 1980s, and most recently, one of only 12 members of its pro panel, which covers a wide range of important drumming issues.

As an international drum educator, Morgenstein has performed at hundreds of clinics and drum festivals in over 20 countries. He's been a guest instructor at PIT in California and Drummers Collective in New York City. He co-designed the Vic Firth SIH1, dB22, and Kidphones isolation headphone monitors, in addition to co-developing the Vic Firth Rod Morgenstein Signature drumsticks and Sabian Tri-Top ride cymbal. His instructional materials include the books Drum Set Warm-Ups (Berklee Press) and The Drumset Musician (Hal Leonard) with Rick Mattingly; the videos Putting It All Together (Warner Bros.) and Drum Tips/Double Bass Drumming (Warner Bros.); and the audio cassettes/books Grooving In Styles/Filling In the Holes (Cherry Lane), Double Bass Drumming (Cherry Lane), and Odd Time (Bamo Productions). He has also created digital drum loops and MIDI drum sequence packages, including Epik Drums, a deluxe collection of drum kit and groove instruments developed with legendary producer Ken Scott; Power Rock Midi Drum Sequences (Beat Boy); and Progressive Rock Midi Drum Sequences (Beat Boy). Morgenstein holds a bachelor of music degree in studio music and jazz from the University of Miami.

For more information about Rod Morgenstein, visit www.RodMorgenstein.com and www.myspace.com/rodmorgenstein

Prerequisites

Completion of Music Theory 101 and Drum Set Fundamentals, or equivalent knowledge and two years of playing experience. You should have an understanding of note values, coordination studies, and basic time keeping. Some live performance experience would be a plus but is not necessary.


Required Textbooks


Software Requirements

  • Webcam video recording software

Mac Users

  • OS X 10.9 Mavericks or higher (click here for system requirements)
  • Latest version of Google Chrome

Windows Users

  • Windows 7 or higher (click here for system requirements)
  • Latest version of Google Chrome

Hardware Requirements

Assignments in this course will require you to use a webcam to record yourself performing along with backing tracks. In order to record your performances with backing tracks successfully, you will need a computer, microphone, webcam, webcam recording software, and speakers.

  • acoustic or electronic drum kit
  • drumsticks
  • microphone (unless you are using an electronic drum kit/drum brain for assignments), such as a Samson C01, Shure SM57, or Shure SM58, along with a mic stand
  • optional: CD/MP3 player (separate from computer) and mixer
  • optional—: for those using electronic drum kits: CD/MP3 player (separate from computer) and drum brain
  • optional: isolation headphones, such as Vic Firth's SIH1 Drummer's Headphones
  • optional: printer, so that you can print out music examples used in the course
  • 2 GB RAM (4 GB recommended)
  • 500 MB hard drive space
  • Speakers or headphones
  • Webcam
  • Internet connection with at least 4 Mbps download speed (http://www.speedtest.net to verify or download the Speedtest by Ookla app from your mobile app store)

Comments

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  • Level
  • Duration
    12 weeks
  • 3-Credit Tuition
    $1,179
  • or
  • Non-Credit Tuition
    $1,028

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