Culminating Experience in Film Scoring 1
Course Code: OCOMP-693
In this first culminating experience course, you will work one-on-one with an instructor to develop your final project. The project involves creating a hybrid score for a film provided by the instructor or sourced by you with the instructor’s permission. The instructor acts as the director and requests revisions and re-writes, emulating the professional world. You will use all the skills developed in the rest of your coursework to create a successful score.
SyllabusSyllabus coming soon.
Prerequisites and Course-Specific Requirements
General Course Requirements
Below are the minimum requirements to access the course environment and participate in live chats. Please make sure to also check the Prerequisites and Course-Specific Requirements section above, and ensure your computer meets or exceeds the minimum system requirements for all software needed for your course.
- Latest version of Google Chrome
- Zoom meeting software (available in the course when joining your first chat)
- Speakers or headphones
- External or internal Microphone
- Broadband Internet connection
Tim Huling is a composer, orchestrator, producer and educator who works in music for film, TV, video games, the concert hall, and more. His credits include films such as Georgia Rule and Mad Money; TV shows such as Little People, Big World and Inside Passage; video games such as Planetary Annihilation and Skyrealm; and installations such as Hunger Games at the Motiongate Theme Park and Great Seattle Fire at MOHAI. Tim has enjoyed concert premieres, including works for symphony orchestra, chamber ensemble, various jazz works, and two ballets.
Jessica Rae Huber is a film and television composer who has written music for hundreds of episodes of television, feature films, production libraries, trailers, and podcasts. She is also frequently recruited to write additional music for other composers across many genres and types of media. Her work can be heard on shows such as The Walking Dead, Marvel's Agents of S.H.I.E.L.D., Outlander, and Black Sails.
She previously worked as an Assistant Composer and Scoring Manager for a major film music production company where she hired and managed a large team, coordinated multiple simultaneous scoring projects, and wrote additional music. She has since become a highly sought-after consultant who has recruited, built, and maintained scoring teams and workflows for multiple composers.
Jessica is one of the original composers chosen for The Future Is Female: a Concert for Women in Film where she conducted her original orchestral piece for a sold-out crowd.
She holds a degree in film and video game scoring from Berklee College of Music, and a degree from Florida Atlantic University in Communications, Women's Studies, and History. Read Less